Steely Dan’s breakup was officially announced on 17th June 1981 when Donald Fagen gave a scoop to journalist and long-time fan Robert Palmer in the New York Times.
In the interview, Fagen didn’t rule out the possibility that he would one day reunite with Steely co-leader/co-songwriter Walter Becker, but neglected to mention that he had already returned to the studio as a solo artist.
Until a few years ago, I assumed The Nightfly was Fagen’s ’80s debut, but the one-off track ‘True Companion’ preceded it by a year. It was part of the ‘Heavy Metal’ soundtrack, an animated film based on the sex’n’slash fantasy comic book of the same name. Fagen used the song as an excuse to get back into the studio after a few years off.
‘True Companion’ was recorded at Automated Sound in New York and co-produced by Fagen and legendary engineer Elliot Scheiner (Dan helmer Gary Katz was busy producing Eye To Eye’s debut album).
Lyrically, the song seemed to be a ‘Dark Star‘-esque meditation on the spiritually-bereft inhabitants of a spaceship, possibly narrated by God, or at least some kind of omniscient being…
Crewmen of the True Companion
I can see you’re tired of action
In this everlasting twilight
Home is just a sad abstraction
Just beyond the troubled skyways
Young men dream of fire and starshine
I’ve been dreaming of my own green world
Far across the reach of space time
Musically, the track showcased some exceptionally dense Fagen vocal harmonies (prefiguring a similar approach on The Nightfly‘s ‘Maxine’), and typically tasty Fender Rhodes playing by Steely regular Don Grolnick.
But the first half of the tune was almost a mini guitar symphony for Steve Khan. I asked Steve for his recollections of recording ‘True Companion’:
During those years, I think that Donald was trying to find the confidence to move forward with a solo career because, after Gaucho, it seemed that he and Walter were going to need a long, long break! “True Companion” was one of a few experiments Donald recorded just to test the waters, as it were. To be in the studio with old friends and bandmates like Don Grolnick, Will Lee and Steve Jordan and with Elliot Scheiner engineering, nothing could have felt more familiar. Actually, for working with Donald, things went really fast. I would imagine that I played the electric parts first, then overdubbed the solo, and thereafter the acoustic steel-string. With the Les Paul, I know that I was playing REALLY loud in the room, but I did that because I felt that this was the underlying attitude of the song. It was a blend of subtlety and power. So I tried to give it both…
On the ‘Heavy Metal’ soundtrack album, ‘True Companion’ sat incongruously alongside tracks by Black Sabbath, Grand Funk Railroad, Journey, Sammy Hagar and Stevie Nicks, a state of affairs that no doubt tickled Fagen.
But, most importantly, he had taken his first major steps back into the recording studio, and by late summer 1981 was recording The Nightfly. Almost 15 years later, a reunited Steely Dan also played ‘True Companion’ live on their second comeback tour.