Book Review: Into The Groove by Justin Lewis

If you’re looking for a good stocking-filler for the 1980s music fan in your life, you could do a lot worse than Justin Lewis’s ‘Into The Groove’.

He’s an experienced rock writer who’s come up with a deceptively simple book idea – take each day (or at least most of them) of the 1980s and document a key music event, reporting them in chronological order.

And it’s mostly fascinating stuff; he’s unearthed some really tasty morsels of 1980s music trivia. Who knew that ‘Stars On 45’ (the Dutch novelty act specialising in disco medleys) led to ‘answer’ tracks from Orange Juice, Squeeze and The Portsmouth Sinfonia? Or that Annie Lennox had to show MTV her birth certificate to prove she was not a ‘decadent transvestite’ before they permitted Eurythmics’ ‘Sweet Dreams’ video to be shown on the channel?

Or that Wham!’s biggest early influence was Level 42? (Apparently they loved Level’s combination of funk and ‘unfunky’ lyrics – presumably it was tracks like ‘Almost There’ and ‘Starchild’ that floated their boat…)

Who knew that the full-length version of George Michael’s ‘Faith’ begins with a church organ playing Wham!’s ‘Freedom’, that Adrian Edmondson was a prolific video director in the ‘80s, or that a UK top 5 from October 1986 was the first time that every song was performed by a female vocalist?

The book also serves as a good compendium of ‘making-of’ song stories. For example, we get the full background of Paul Hardcastle’s ‘19’, including all the copyright issues and the fact that Mike Oldfield, of all people, is now the recipient of a writing credit(!).

You’ll need YouTube at the ready too for fascinating curios, like Tom Waits’ disastrous appearance on live British TV in 1983 alongside Ian Hislop and Peter York. ‘Into The Groove’ also gets credit for expanding its purview beyond rock and pop – there’s interesting info about African, country and blues music too, but very little jazz.

There are some downsides – there’s no index or list of references, and Lewis tries hard to be impartial but his ‘rock snob’ credentials inevitably creep out, Costello, XTC and McCartney etc. getting the rare plaudits.

But no matter – this is a gripping read, amusing and informative, full of tasty trivia treats, a surprise on every page. Highly recommended.

‘Into The Groove’ is published by Elliott and Thompson.

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