Nicolas Roeg (1928-2018)

London-born filmmaker Nicolas Roeg, who has died aged 90, will surely be remembered as one of the all-time greats.

He began his career as either lighting cameraman or director of photography on some key films of the 1960s: ‘The Caretaker’, ‘Doctor Zhivago’, ‘Lawrence Of Arabia’, ‘The Masque Of The Red Death’, ‘Far From The Madding Crowd’, ‘Fahrenheit 451’. He then of course co-directed (alongside Donald Cammell) the astonishing Mick Jagger vehicle ‘Performance’.

Roeg went to to make some of the finest films of the 1970s – ‘Walkabout’, ‘Don’t Look Now’ and ‘The Man Who Fell To Earth’, and began the 1980s staking a claim to being England’s greatest living director. And that was when his films really came alive for me. Many of the above were shown regularly on terrestrial TV during the decade. Then came a series of always-surprising new works, some of which also transferred quickly onto the small screen.

‘Bad Timing’ (1980) was a brutally candid portrayal of a love affair gone wrong, starring Art Gartfunkel and Theresa Russell in the first of her memorable lead roles for then-husband Roeg (a role that was apparently first intended for Sissy Spacek).

‘Eureka’ (1983) is little seen these days, and almost totally forgotten, but it’s unpredictable and brilliant. Gene Hackman heads up a superb cast including Mickey Rourke, Joe Pesci, Russell and Rutger Hauer. ‘Insignificance’ (1985) was a film to match the best of Roeg’s ’70s output, a what-if tale based on Terry Johnson’s play about a chance meeting between Marilyn Monroe, Joe DiMaggio, Joseph McCarthy and Albert Einstein.

‘Castaway’ (1986), a desert-island survival tale starring Oliver Reed and based on Lucy Irving’s bestselling book, was given a critical mauling but these days still looks like an incredibly vital film. ‘Track 29’ (1987) was, if anything, even stranger, a Dennis Potter-penned story about a demented manchild, with Gary Oldman and Russell the memorable leads.

And Roeg finished off the decade with a fine adaptation of Roald Dahl’s ‘The Witches’ (1990), well worth digging out for the kids this Christmas if you’re after some mildly-menacing, icky fun.

Farewell to a bona fide Brit movie hero.

Nicolas Jack Roeg, 15th August 1928 – 23rd November 2018

 

 

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Michael Jackson @ 60

Diana Ross TV Special: December 1980, The Forum, Inglewood, California

Motown 25: 25th March 1983, Pasadena Civic Auditorium, California

‘This Is It’ rehearsals: June 2009, Staples Center, Los Angeles, California

Michael Jackson (29th August 1958 – 25th June 2009)

 

 

Chris Tsangarides (1956-2018)

Producer, engineer and mixer Chris ‘CT’ Tsangarides spent his last decade living and working at The Ecology Room studio overlooking Kingsdown, a pretty hamlet on the Kent coastline between Dover and Deal. The studio is featured strongly in the brilliant documentary ‘Anvil! The Story Of Anvil’, as is the very charming Tsangarides.

CT was one of the sonic architects of ’80s music, working on key albums by Killing Joke, Depeche Mode, Gary Moore, Magnum, Japan, Bruce Dickinson, Judas Priest and Thin Lizzy. He also had a unique perspective on the excesses of the era’s hard rock scene, recently telling Classic Rock magazine:

‘I was lucky enough to be looked after by Zomba Management who also had (other major producers) Martin Birch, Mutt Lange and Tony Platt. Battery Studios (in Willesden, North West London) was our home. Any piece of equipment, any mic, you could have it. It was all, “Oh, we’ll go to Barbados to record the bass drum.” It got silly. I think we did disappear up our own jacksies…’

‘People would put on 18 tracks of guitar doing the same thing because “it’ll sound mega, man.” Well, it didn’t. Because you’ve still got the same frequency spectrum. So the more you put on, the smaller it sounds…’

‘You couldn’t mix a record unless you had 500 bits of outboard gear. There was this thing called the Aphex Aural Exciter. You used this machine on your final mix and they’d charge you something like £75 for every minute of song. And all it did was make everything sound really toppy. Pointless. But it was like, “You’ve got to have one of those…because they’ve got one!”’

RIP CT.

Jaco (1951-1987)

Jaco Pastorius died 30 years ago today: 21st September 1987. He was beaten up outside the Midnight Bottle nightclub in Wilton Manors, Florida.

Jaco fans like me had particularly meagre pickings in the late 1980s. You gleaned whatever info you could from magazines like Bass Player and The Wire or swapped gossip with muso pals. I’m not even sure I knew he had passed away when I got my hands on import albums like Stuttgart Aria and Live In Italy, both recorded with the brilliant French guitarist Bireli Lagrene, or heard his guest spot on Mike Stern’s Upside Downside.

Then my dad came home from work one day around 1989, excitedly talking about a Jaco concert movie he had secured the rights for, eventually broadcast on Channel Four as part of the ‘Sounds Of Surprise’ series of jazz films. Sure enough, the 1982 Montreal Jazz Festival show was a whole new insight into this master musician, shot at a time when he was firing on all cylinders and one of the biggest ‘jazz’ stars on the planet.

He was ostensibly touring his Word Of Mouth album at the time, but didn’t play one tune from it. Starting with his old ‘sweetener’, Pee Wee Ellis’s ‘The Chicken’, Jaco led his superb band (Peter Erskine on drums, Bob Mintzer on reeds, Randy Brecker on trumpet, Othello Molineaux on steel pans, Don Alias on percussion) through a tasty combo of jazz, R’n’B, blues and Caribbean influences.

Particularly notable are a breezy ‘Donna Lee’ and brilliant version of Mintzer’s ‘Mr Fone Bone’, starting at 27:40. Jaco’s soloing throughout the gig is beautiful – emotional, nuanced, dramatic. On the closer ‘Fannie Mae’, he plays the blues with as much feeling as Alberts King or Collins.

So here it is in all its glory. July 1982, Montreal, Canada. RIP Jaco.