12 Memorable B-Sides Of The 1980s

princeThere was definitely a ‘thing’ about B-sides in the 1980s. You never quite knew what you would find on the reverse of your favourite 7” or 12″ single – maybe a new direction, bold experiment, glorious failure, engaging curio, self-produced shocker or even the drummer’s long-awaited-by-nobody songwriting debut. Sometimes a single track encapsulated all of the above…

I was certainly never the biggest singles collector in the world, but I had to try and hear everything by Prince, Level 42 and It Bites during their peak years. Some B-sides took on a kind of mythic stature and weren’t easy to access: you’d have to cadge from your mates, record things from the radio or trawl the Record & Tape Exchange.

Here’s a motley parade of ’80s backsides, some long-sought-after, some intriguing, some exciting, some fairly random but all inexplicably etched upon my memory. I gave myself three rules: no remixes, live tracks or album tracks allowed…

12. Peter Gabriel: ‘Curtains’ (1987)

Almost every time this ‘Big Time’ B-side rolls around, it produces a slight chill and sense of wonder. One of PG’s most disquieting pieces, it has to be said, but with a lovely melody and ambience.

11. Danny Wilson: ‘Monkey’s Shiny Day’ (1987)

The Dundonians are at their most sublimely Steely-ish on this ‘Mary’s Prayer’ B-side. The track’s lo-fi production and slightly low-budget horn section/backing vocals hinder it not one jot.

10. Prince: ‘Alexa De Paris’ (1986)

Prince had always threatened a full-on guitar instrumental and this ‘Mountains’ B-side delivered it. And boy was it worth the wait. Sheila E plays some fantastically unhinged drums (check out how she reacts to Prince’s guitar throughout) and Clare Fischer weighs in with a widescreen orchestral arrangement. The composition is reimagined as a solo piano piece in the movie ‘Under The Cherry Moon’.

9. It Bites: ‘Vampires’ (1989)

The B-side of ‘Still Too Young To Remember’, this glam-prog classic is notable for its crunching riff, catchiness and Francis Dunnery’s most extreme It Bites guitar solo (muso alert: was it stitched together from multiple takes?). It’s also one of many fine IB B-sides, of which more to come soon. Pet Shop Boys were definitely listening – this is even in the same key.

8. David Sylvian: ‘A Brief Conversation Ending In Divorce’ (1989)

The accompanying track to one-off 12” single ‘Pop Song’, you get the feeling this micro-tonal, improvised miniature featuring late great pianist John Taylor was far more up Sylvian’s street than the hits requested by Virgin Records.

7. Donna Summer: ‘Sometimes Like Butterflies’ (1982)

This B-side to ‘Love Is In Control (Finger On The Trigger)’ is a bit of a guilty pleasure. But Summer’s exceptional performance transcends the schmaltz, as does a superb drum performance by…someone (Steve Gadd? Rick Marotta? Ed). Intriguingly, Dusty Springfield covered it in 1985.

6. Level 42: ‘The Return Of The Handsome Rugged Man’ (1982)

This irresistible B-side from the ‘Are You Hearing What I’m Hear’ 12” shows the lads in full-on Weather-Report-meets-Jeff-Beck mode. Drummer Phil Gould even gives Harvey Mason and Billy Cobham a run for their money.

5. Roxy Music: ‘Always Unknowing’ (1982)

This shimmering, beguiling Avalon outtake from the US single version of ‘More Than This’ was surely in competition with ‘While My Heart Is Still Beating’ and ‘Tara’ for an album spot. Beautiful playing from guitarist Neil Hubbard.

4. Donald Fagen: ‘Shanghai Confidential’ (1988)

This ‘Century’s End’ B-side is an intriguing slice of fuzak with lovely chord changes, some tasty Marcus Miller bass and a fine Steve Khan guitar solo. You can even feel Donald smirking slightly when he plays his ‘jungle’ synth theme.

3. Scritti Politti: ‘World Come Back To Life’ (1988)

The B-side of the ‘Boom There She Was’ 12-inch showcases all the charms of the Provision sound: intricate arrangements, pristine production, bittersweet lyrics and punchy vocals. For many fans, it’s better than a lot of stuff on the album.

2. China Crisis: ‘Animalistic’ (1985)

The Liverpudlians detour into minimalist jazz/funk with some success on this ‘Black Man Ray’ B-side. Gary Daly’s vocals have never been so wryly Lloyd Cole-esque (before Cole… Ed) and drummer Kevin Wilkinson is really in his element. Gorgeous synth sounds too.

1. Willy Finlayson: ‘After The Fall’ (1984)

We’ll close with something in the ‘fairly random’ category. The A-side, ‘On The Air Tonight’, was recently covered by The Zombies’ Colin Blunstone, but I’ve always had a soft spot for this B-side. Both tracks were written and produced by ex-Camel keyboardist Pete Bardens. Willy is still active on the (sadly ever-dwindling) West London gig scene.

Let me know your killer B’s below.

Jean-Baptiste ‘Toots’ Thielemans (1922-2016)

tootsIt is with a heavy heart that we hear of Toots’ passing.

Born in Brussels, he was one of the most brilliant multi-instrumentalists in music history, equally proficient on guitar and harmonica. His guitar/whistling combo was also a knockout. He worked with Miles Davis, Charlie Parker, Jaco Pastorius, Benny Goodman, Ella Fitzgerald, Elis Regina, Billy Joel, Peggy Lee and Stevie Wonder, and, thanks to his playing on the ‘Sesame Street’ and ‘Midnight Cowboy’ themes, was probably the most-heard harmonica player of all time.

We present one of Toots’ great ’80s works with a smile and a tear.

Jean-Baptiste Frédéric Isidor Baron Thielemans, born 29th April 1922, died 22nd August 2016

Square Records in Fripp Country

squareI’m not much one for rock’n’roll pilgrimages (living in London, the whole place can sometimes feel like a music heritage site), but, during a recent trip down to Dorset, I couldn’t resist visiting one of my favourite muso backwaters: Square Records in Wimborne, a great shop with a deceptively rich history.

As I crept around the corner and spied Square just across the way from the majestic Minster, I was honestly just relieved it had survived for another year. It first came to my attention when it featured in a beautifully-made mid-’80s BBC documentary (see below) about fascinating King Crimson mainman and key Bowie/Gabriel/Eno/Sylvian collaborator Robert Fripp. Fripp was born and raised in Wimborne (before the music bug hit, he almost joined his dad in the family’s estate management firm…), and he perpetually returns to visit relatives and sometimes even rehearse there.

The documentary captures a fascinating time in Fripp’s career – we see him with Andy Summers in what looks like a little studio space above Square Records learning the tunes that would make up the Bewitched album, and also duetting on a little Django Reinhardt.

We eavesdrop on Fripp’s presentation/pitch meeting with Polydor Records to discuss the marketing for King Crimson’s Three Of A Perfect Pair (‘we would like a new audience – this is what you can do for us’!), and see Fripp at a Square signing session, giving considered advice to some young Wimborne musos.

Fripp wanders around other fascinating local landmarks – Badbury Rings (probably my favourite spot), Knowlton Church, Horton Tower and the medieval hunting lodge where Crimson rehearsed Discipline – all the while discussing his career and spiritual beliefs (‘the top of my head blew off…I saw what it was to be a human being’). There’s even time for afternoon tea with Mother.

badbury rings

But back to Square in 2016. I found myself properly browsing CDs and vinyl for the first time in years, unsure what I’d find. I came across a rack titled something like ‘Local Bands’ but didn’t see any Fripp or Crimson in there, so grabbed In The Court Of The Crimson King from the K section and naughtily recategorised it. Taking my Siouxsie & The Banshees best-of (a steal at £4.99) to the counter, I admitted my crime to the friendly woman behind the counter. She ignored the transgression, instead cheerfully saying, ‘Oh, Robert used to live above the shop.’ Oh, right. Wow. I asked her about that BBC documentary. ‘Oh, I’m in that too. You can see me when Robert is doing the album signing.’

You can indeed. Long live Square. And Fripp.