Geffen/Warner Bros. Records, released 19th July 1982
It’s understandable that Summer was reluctant to take on Billy Strayhorn’s song ‘Lush Life’.
A morning-after portrait of a failed romance, it’s a remarkable composition for a 16-year-old to write, with elliptical lyrics, few repeat sections and a challenging, endlessly-modulating melody line.
Nat ‘King’ Cole, Sarah Vaughan, John Coltrane/Johnny Hartman and Billy Eckstine all performed notable versions (Strayhorn himself apparently loved the latter).
But, coached through by producer Quincy Jones and keyboardists Greg Phillinganes, Herbie Hancock and Dave Grusin, Summer’s vocals are a knockout. Though the track sounds a bit rushed (Phillinganes would surely like another pass at his synth bass part), her work certainly paid off.
‘Lush Life’ closes Donna Summer, released 35 years old today. Classic singles begin the album and end side one: Grammy-nominated ‘Love Is In Control (Finger On The Trigger)’ and an inspired cover of Jon & Vangelis’s ‘State Of Independence’, the latter featuring an amazing array of guest vocalists.
The problem with Donna Summer is that it’s three classics and a lot of filler. Formula-wise, Quincy seems to be preparing for Thriller – there are many songwriters and a variety of styles.
Springsteen contributes the slightly underwhelming ‘Protection’ and elsewhere there’s a bit too much LM-1 drum machine and a few less-than-memorable choruses.
The album didn’t quite deliver the big hit to propel Summer into the ’80s but reached #20 in the US album charts and #13 in the UK.
There was definitely a ‘thing’ about B-sides in the 1980s.
You never quite knew what you would find on the reverse of your favourite 7” or 12″ – maybe a new direction, bold experiment, engaging curio, self-produced shocker or even the drummer’s long-awaited-by-nobody songwriting debut. Sometimes a single track encapsulated all of the above…
I was never the biggest singles collector in the world, but I had to try and hear everything by Prince, Level 42 and It Bites during their peak years.
Some B-sides took on a kind of mythic stature and weren’t easy to access: you’d have to cadge from your mates, record things from the radio or trawl the Record & Tape Exchange.
Here’s a motley parade of ’80s backsides, some long-sought-after, some intriguing, some exciting, some fairly random but all inexplicably etched upon my memory. I gave myself three rules: no remixes, live tracks or album tracks allowed…
13. David Bowie: ‘Crystal Japan’ (1981)
Though originally released as an A-side for the Japanese market, this charming instrumental later turned up as the B-side to the ‘Up The Hill Backwards’ single of March 1981. I’m still waiting for Jeff Beck’s cover version.
12. Peter Gabriel: ‘Curtains’ (1987)
Almost every time this ‘Big Time’ B-side rolls around, it produces a slight chill and sense of wonder. One of PG’s most disquieting pieces, it has to be said, but with a lovely melody and ambience.
11. Danny Wilson: ‘Monkey’s Shiny Day’ (1987)
The Dundonians are at their most sublimely Steely-ish on this ‘Mary’s Prayer’ B-side. The track’s lo-fi production and slightly low-budget horn section/backing vocals hinder it not one jot.
10. Prince: ‘Alexa De Paris’ (1986)
Prince had always threatened a full-on guitar instrumental and this ‘Mountains’ B-side delivered it. And boy was it worth the wait. Sheila E plays some fantastically unhinged drums (check out how she reacts to Prince’s guitar throughout) and Clare Fischer weighs in with a widescreen orchestral arrangement. The composition is reimagined as a solo piano piece in the movie ‘Under The Cherry Moon’.
9. It Bites: ‘Vampires’ (1989)
The B-side of ‘Still Too Young To Remember’, this glam-prog classic is notable for its crunching riff, catchiness and Francis Dunnery’s most extreme It Bites guitar solo (muso alert: was it stitched together from multiple takes?). It’s also one of many fine IB B-sides, of which more to come soon. Pet Shop Boys were definitely listening – this is even in the same key.
8. David Sylvian: ‘A Brief Conversation Ending In Divorce’ (1989)
The accompanying track to one-off 12” single ‘Pop Song’, you get the feeling this micro-tonal, improvised miniature featuring late great pianist John Taylor was far more up Sylvian’s street than the hits requested by Virgin Records.
7. Donna Summer: ‘Sometimes Like Butterflies’ (1982)
This B-side to ‘Love Is In Control (Finger On The Trigger)’ is a bit of a guilty pleasure. But Summer’s exceptional performance transcends the schmaltz, as does a superb drum performance by…someone (Steve Gadd? Rick Marotta? Ed). Intriguingly, Dusty Springfield covered it in 1985.
6. Level 42: ‘The Return Of The Handsome Rugged Man’ (1982)
This irresistible B-side from the ‘Are You Hearing What I’m Hear’ 12” shows the lads in full-on Weather-Report-meets-Jeff-Beck mode. Drummer Phil Gould even gives Harvey Mason and Billy Cobham a run for their money.
5. Roxy Music: ‘Always Unknowing’ (1982)
This shimmering, beguiling Avalon outtake from the US single version of ‘More Than This’ was surely in competition with ‘While My Heart Is Still Beating’ and ‘Tara’ for an album spot. Beautiful playing from guitarist Neil Hubbard.
4. Donald Fagen: ‘Shanghai Confidential’ (1988)
This ‘Century’s End’ B-side is an intriguing slice of fuzak with lovely chord changes, some tasty Marcus Miller bass and a fine Steve Khan guitar solo. You can even feel Donald smirking slightly when he plays his synth motif.
3. Scritti Politti: ‘World Come Back To Life’ (1988)
The B-side of the ‘Boom There She Was’ 12-inch showcases all the charms of the Provision sound: intricate arrangements, pristine production, bittersweet lyrics and punchy vocals. For many fans, it’s better than a lot of stuff on the album.
2. China Crisis: ‘Animalistic’ (1985)
The Liverpudlians detour into minimalist jazz/funk with some success on this ‘Black Man Ray’ B-side. Gary Daly’s vocals have never been so wryly Lloyd Cole-esque (before Cole… Ed) and drummer Kevin Wilkinson is really in his element. Gorgeous synth sounds too.
1. Willy Finlayson: ‘After The Fall’ (1984)
The A-side, ‘On The Air Tonight’, was recently covered by The Zombies’ Colin Blunstone, but I’ve always had a soft spot for this B-side. Both tracks were written and produced by ex-Camel keyboardist Pete Bardens. Willy is still active on the (sadly ever-dwindling) West London gig scene.