Marc Johnson’s Bass Desires: Second Sight

marc johnson

Released October 1987

Bought: Virgin Records Oxford Street, November 1987?

8/10

In rock, the two-guitar setup is standard. But in jazz and fusion, not so standard. Since 1987, there have been a number of two-guitar celebrity summits (such as Scofield/Metheny, Scofield/Frisell, Stern/Eric Johnson, Carlton/Ritenour etc) but ex-Bill Evans bassist Marc Johnson’s superb ECM solo albums, ’85’s Bass Desires and Second Sight, both featuring John Scofield and Bill Frisell, quite possibly started it all off.

Marc Johnson

Marc Johnson

1987’s Second Sight was considered somewhat of a disappointment on its original release, but for me this is the superior album of the two. I was a major Scofield fan when I bought it in ’87 but didn’t know Frisell’s name at all. I’m really glad it was this album which revealed his incredible playing to me.

Some of the interplay between Frisell and Scofield is nothing less than miraculous, although one could hardly think of two more different guitarists in approach. They leave each other space to play and at times even inadvertently double parts. And, to me, this doesn’t sound like typical ‘ECM jazz’ at all – it’s tough music, not for the faint-hearted.

John Scofield, Bill Frisell

The ever-reliable Peter Erskine slightly overplayed on the Bass Desires album but here expertly marshals the material without ever being overbearing, and the compositions are so fresh, memorable and catchy.

Only the opening ‘Crossing The Corpus Callosum’ sounds like a studio jam session, but this is no ordinary jam; Scofield’s emotive bluesy cries dissolve into a fantastically-eerie Frisell ambient soundscape, leading the track inexplicably into David Lynch territory.

‘Small Hands’ and ‘Hymn For Her’ are shimmering, moving ballads, with the guitarists’ approaches meshing beautifully. ‘Sweet Soul’ is a soulful slow swinger full of fantastic Scofield soloing.

‘1951’ is a superb Frisell composition evoking Thelonious Monk’s best work. ‘Thrill Seekers’ simply swings like hell and features a classic Frisell fuzzbox solo. ‘Twister’ is great fun, Scofield’s affectionate ode to surf rock with some very funky bass and guitar interplay and a short drum solo almost as memorable as Ringo’s on Abbey Road.

As far as I know, the band toured Europe but never the UK. Would love to have seen them. The performance below is really special. No wonder Frisell is grinning like a Cheshire cat throughout.

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