Book Review: Withnail & I (From Cult To Classic) by Toby Benjamin

The ‘Withnail’ cult shows no sign of waning. Writer/director of the 1987 movie Bruce Robinson spent some of lockdown discussing the film while co-star Richard E Grant posted regular line-readings on social media. And now there’s news of a long-awaited, Robinson-endorsed stage play.

So Toby Benjamin’s excellent ‘From Cult To Classic’ seems to have arrived at the perfect time. Authorised by Robinson and written with his full co-operation, it assembles a veritable cornucopia of ‘Withnail’ info.

The brilliantly blunt Robinson foreword almost had movingtheriver punching the air with excitement. Elsewhere letters from his personal collection show correspondence around the film’s financing and script editing. There are anotated script pages, detailed location administration and premiere tickets. We even see Robinson’s London to Cumbria train tickets for the shoot. Richard Curtis and Richard E also donate personal letters.

There are brilliant on-set photos, many by official snapper Murray Close, some donated by Robinson and the cast (including a great one of a clearly mullered Ringo Starr). All the main cast members give long, interesting interviews, as do many key bit-part players (The Irishman, the ‘Get in the back of the van!’ cop, Farmer Parkin) and the hairdresser, stills photographer, makeup artist, cinematographer, production manager, costume designer and soundtrack composers Rick Wentworth and David Dundas. We even hear from the owner of Crow Crag (Sleddale Hall).

There are a few minor quibbles – the book is dotted with ‘celebrity’ endorsements of the film but you’d be hard pressed to recognise any of them, outside of Matt Johnson, Charlie Higson and Diane Morgan, and no biographies are provided. Also the book’s ‘distressed’ interior design will probably divide opinion.

But if you’ve seen ‘Withnail’ more than once, you have to have this book. Absolutely unreservedly recommended to scrubbers and terrible c*nts everywhere.

From Diva To De Palma: Seven Soundtrack Moments

withnail

Ralph Brown as Danny in ‘Withnail & I’

When it comes to the marriage of sound and vision, there’s a particular kind of ’80s cliché probably originating from the work of directors like Ridley/Tony Scott, Adrian Lyne, Hugh Hudson and Alan Parker (interestingly, all Brits who ended up in Hollywood).

It’s basically a slick, beautifully-shot montage of images usually accompanied by vaguely ‘New Age’ kind of music which probably features some Satie-esque piano, possibly some strings (synthesized or real) and/or a bit of acoustic guitar or sax.

Well, I’m here to tell you that this combo is pure comfort food for me in these troubled times. It must be another of those ‘blokes of a certain age’ things. And it turns out that some of those directors also produced some of my favourite movie soundtrack moments of the ’80s:

7. Diva (1981)

Composer Vladimir Cosma channels Erik Satie, Peter Gabriel and Tangerine Dream to create a beguiling mix of solo piano, bleak new-wave rock and classic minimalism. I don’t ‘do’ opera but the two versions of Catalani’s ‘La Wally’ which bookend this superb album get me every time.

6. Angel Heart (1987)

A bleak synth swells in the distance, De Niro (?) whispers ‘Johnny… Johnny…’ and we’re off. Courtney Pine blows impressively over Trevor Jones’ ambient backing and the rest of the album features some excellent crooner tunes and R’n’B too.

5. Blow Out (1981)

Melody-maestro Pino Donaggio pulls out all the stops for this rather beautiful theme which accompanies director Brian De Palma’s most ’emotional’ movie slaying…

4. Betty Blue (1986)

Gabriel Yared’s haunting soundtrack for this famously-overrated art-house melodrama gives me an instant nostalgia rush. Very influential too, particularly on the next choice.

3. Withnail & I (1987)

David Dundas and Rick Wentworth’s music perfectly evokes some of the film’s themes darker themes, though the blues guitar licks were perhaps best left out of the final mix.

2. 9 1/2 Weeks (1986)

The bizarre, chameleon-like career of pianist/composer Jack Nitzsche is one for another time, but his ‘love theme’ from Adrian Lyne’s guilty pleasure is sentimental, hokey and clichéd, and gets me every time. There are other crackers by Jean-Michel Jarre, Brian Eno and The Eurythmics on the quite-hard-to-find soundtrack album.

1. Mrs Soffel (1984)

A confession – I’ve never seen this movie. And I’m really not sure I ever will. But Mark Isham’s majestic theme never fails to beguile, originally heard on a mid-’80s Windham Hill Records taster cassette.