10 Classic 1980s Singles Featuring Brushes

Some brushes, yesterday

When you think of 1980s pop music, which drum sounds come to mind?

They’re probably pretty loud and the infamous gated snare possibly looms large: ‘Let’s Dance’, ‘In The Air Tonight’, ‘Hey Mickey’, ‘Uptown Girl’, ‘A Town Called Malice’, ‘Born In The USA’.

But there’s a whole alternative world of 1980s hits where the drummer played very quietly, with brushes rather than sticks. Stuff like Buddy Holly’s ‘Raining In My Heart’, The Beatles’ ‘When I’m 64’ and Lou Reed’s ‘Walk On The Wild Side’ probably laid down the gauntlet, but you can’t imagine any producers or focus groups demanding that the drummer play brushes to create a hit (and when was the last hit that featured brushes?).

Here are some classic 1980s singles that somehow got away with it (all chart placings from the UK).

10. Echo & the Bunnymen: ‘Killing Moon’
Powered by Pete de Freitas’s subtle and unexpected brushwork, the classic single got all the way to #9 in early 1984.

9. George Michael: ‘Kissing A Fool’
The seventh and final single from Faith, written back in 1984, reached the top 20 and was initially mooted to be the title track of that 1987 album. Session player Ian Thomas, soon to play with everyone from Robbie Williams to Scott Walker, overdubbed some brushes on the snare after first recording a pass with sticks.

8. The Cure: ‘The Lovecats’
This stand-alone single was also the band’s first top ten hit, peaking at #7 in October 1983. Drummer Andy Anderson began his career with Hawkwind’s Nik Turner and Steve Hillage, then ended up on Robert Smith and Steve Severin’s The Glove side project. He found himself recording this song in Paris then joined the band for a year, playing on 1984 album The Top and playing brushes on another B-side, ‘Speak My Language’. He then toured with Iggy Pop throughout 1987. Anderson died in 2019.

7. Alison Moyet: ‘That Ole Devil Called Love’
This stand-alone single reached a heady #2 during March 1985, produced by ’18 With A Bullet’ singer Pete Wingfield. But who’s the drummer? Answers on a postcard please.

6. Robert Wyatt: ‘Shipbuilding’
Not much is known about drummer Martin Hughes, but he did a nice job on this classic single which reached #35 in April 1983.

5. Chris Rea: ‘Driving Home For Christmas’
Written in 1978, it was originally intended for Van Morrison. Rea first recorded it as a B-side to the 1986 single ‘Hello Friend’, with drummer Dave Mattacks playing almost with a country feel. But the most famous version features on Rea’s 1988 New Light Through Old Windows compilation album with drums by Martin Ditcham, best known for his percussion work.

4. Chris Isaak: ‘Wicked Game’
Kenney Dale Johnson played some very subtle drums on this classic single released in July 1989, going on to become a huge sleeper hit in the US and UK.

3. Elton John: ‘Blue Eyes’
Recorded at AIR Studios in Montserrat, this touching ballad was the lead-off single from John’s Jump Up! album, reaching the top ten in 1982. The very slow 6/8 groove was beautifully marshalled by Jeff Porcaro. See also Toto’s ‘Don’t Stop Me Now’ and Ray Charles’ ‘Still Crazy After All These Years’ for some classic Porcaro brushwork.

2. Fairground Attraction: ‘Perfect’
It reached UK #1 in May 1988 – is it the only chart-topper to feature a drummer playing brushes? London jazzer Roy Dodds did the honours on this.

1. Rain Tree Crow: ‘Blackwater’
Cheating a bit here. It wasn’t released until 1991 but was recorded in December 1989 at Chateau Miraval in Southern France. It was the reformed Japan’s only single, reaching #62. In the band biography ‘Cries And Whispers’, drummer Steve Jansen makes the remarkable claim that his whole performance was pieced together using samples. Weird…

Any other 1980s hits that feature brushes? Drop us a line below.

Crap Lyrics Of The 1980s (Part One)

dynasty_wallpaper_by_mabmeddowsmercuryDuring a 1981 interview, Peter Gabriel said: ‘Many great songs have really appalling lyrics, but no great songs have had appalling music. If you’re going to write lyrics, you might as well make them try and communicate something.’

Sadly, it was a maxim ignored by many of his contemporaries in the ’80s pop pantheon… But these sad wretches have our sympathies; anyone who’s ever tried to pen a song knows the potential pitfalls.

Got a good melody? Great, but you’ve got to sustain the lyrical narrative across the whole song in a cogent way (got that, Coldplay and Keane?). Got some words? Handy, but it can be very tricky to fit a melody to ‘poetic’ ramblings. Basically, for every ‘Talking Scarlet‘, there’s a ‘With Or Without You’.

So join us as we take a trip through a collection of the sometimes inane, occasionally coarse, often totally meaningless ramblings of the 1980s. And don’t forget – sometimes these lexical disaster-areas didn’t detract from the quality of the song at all. But sometimes they did…

Sittin’ on a mountain, looking at the sun/Plastic fantastic lobster telephone’.
THE CULT: ‘Electric’

‘Heart of mine, sewing frenzies of steel to the sky/By night, a child in a harvest of virginal mines’.
IT BITES: ‘Midnight’

‘This morning there was joy in my heart cos I know that I loved you so/Scrambled eggs are so boring, for you’re all, all that I want to know’.
PRINCE: ‘Life Can Be So Nice’

She’s got eyes like saucers, oh you think she’s a dish/She is the blue chip that belongs to the big fish’.
ELVIS COSTELLO: ‘Big Sister’s Clothes’

‘I know that I must do what’s right/As sure as Kilimanjaro rises like Olympus above the Serengeti’.
TOTO: ‘Africa’

‘Only time will tell if we can stand the test of time’.
VAN HALEN: ‘Why Can’t This Be Love’

‘I’m so bad I can suck my own d*ck’.
LL COOL J: ‘Clap Your Hands’

‘Late spring and you’re drifting off to sleep/With your teeth in your mouth’.
REM: ‘You Are The Everything’

‘Let’s go crazy, let’s get nuts/Look for the purple banana til they put us in the truck’.
PRINCE: ‘Let’s Go Crazy’

‘You set my teeth on edge/You think you’re a vegetable, never come out of the fridge/C-c-c-cucumber/ C-c-c-cabbage/C-c-c-cauliflower!’
ECHO & THE BUNNYMEN: ‘Thorn Of Crowns’

‘Where does it go from here/Is it down to the lake I fear/Ay-ya-ya-ya-ya-ya/Ah-ya/Ah-ya-ya-ya-ya-ya’
HAIRCUT ONE HUNDRED: ‘Love Plus One’

‘Oh babe/I wanna put my log in your fireplace’.
KISS: ‘Burn Bitch Burn’

‘A stripping puppet on a liquid stick gets into it pretty thick/A butterfly drinks a turtle’s tears/But how do you know he really needs it?’
ELVIS COSTELLO: ‘Deep Dark Truthful Mirror’

Every second counts when I am with you/I think you are a pig, you should be in a zoo’.
NEW ORDER: ‘Every Second Counts’