Tag Archives: polydor

Yngwie J Malmsteen: Rising Force 40 Years On

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When movingtheriver started playing guitar and buying muso magazines in the late 1980s, the name Yngwie J Malmsteen seemed to inspire awe throughout the whole ‘scene’.

But there was no way you could just happen upon Malmsteen’s music in the UK unless you listened to ‘The Friday Rock Show’ with Tommy Vance.

Then my interest was piqued again when It Bites’ Francis Dunnery mentioned him in a Guitarist magazine interview from October 1989. Almost immediately after that I found Malmsteen’s debut solo album Rising Force – released 40 years ago this month – in a bargain bin at the Richmond Our Price.

You could make an argument that the Swede – born Lars Lannerback! – was THE rock guitarist of the 1980s, having as much of an impact as Eddie Van Halen did five years before. Rising Force was a perfect bridge between the UK, Genesis and Yes albums I was investigating and the heavier influences coming in from Steve Vai and Van Halen.

But, as with any freaky guitar virtuoso, the main issue was finding the right musical context. Rising Force has its duff songs (though always with brilliant guitar playing) but delivers two of the most stunning instrumentals in rock history, ‘Black Star’ and ‘Icarus Dream Suite Op.4’. And to think he was just 20 when he recorded them.

With Malmsteen’s scalloped Strat and nods to Paganini, Bach, Albinoni and Mozart, he achieved (and achieves) a remarkable control of vibrato, both via fingers and whammy bar – demonstrating possibly influences from Allan Holdsworth and Al Di Meola at this early stage – and superb tone, plus a mastery of those baroque passing chords.

I saw Yngwie live once at The Marquee on Charing Cross Road on 11 June 1994. It was thrilling seeing him at such close quarters but I kept wanting the singer to shut up. Eventually said vocalist got into a spat with someone at the front and smashed the mic stand down on his head.

Yngwie then set his Strat alight, kicked it to pieces and chucked the neck towards the sound desk, just missing my head and landing about 15 feet away. The venue was evacuated, and as we chatted nervously outside, a laughing kid ran past brandishing the smoking neck. Wonder where it/he is now.

I no longer have the CD of Rising Force for some reason – wish I had held onto it because the album is not on any streaming platforms at the time of writing. Malmsteen’s career continues at great pace – he’s just played two gigs in London and done a great interview with Rick Beato.

And for those who like reaction videos, The Daily Doug has put together a neat musical analysis of ‘Icarus Dream Suite’ here.

John Lennon/Yoko Ono: Milk and Honey @ 40

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Milk and Honey – planned as the followup to Double Fantasy long before John Lennon’s death on 8 December 1980 – was finally released 40 years ago this weekend, on 27 January 1984.

I believe it was the second vinyl album owned by movingtheriver – the first was The Beatles’ Magical Mystery Tour soundtrack.

Polydor did John and Yoko proud, with striking front/back photos and a gatefold sleeve complete with Ono’s liner notes, Lennon’s ‘Grow Old With Me’ lyrics and some Robert/Elizabeth Barrett Browning poetry.

But Milk and Honey was somewhat of a commercial disappointment, reaching #3 in the UK and just #11 in the US. And it seems one of the least remembered Lennon-related albums these days. Why? Listening again after a few years this weekend was a pleasurable experience, with a few exceptions, and the breadth of musical styles (reggae, calypso, new-wave, piano balladry, rock’n’roll) is impressive.

Six John solo tracks recorded during and before the Double Fantasy sessions made it onto the album. They’re all pretty good, a few classic, mostly tougher than the previous material. John sounds on great form. His spoken-word moments and count-ins are amusing and he’s frequently heard ‘coaching’ the band (and studio staff) through the songs, Prince-style, with various instructions: ‘Boogie!’, ‘Hold it down’, ‘Groove!’, ‘All right, you can get out now’ etc.

The Lennon tracks also showcase a great band playing pretty much live in the studio. John plays lots of guitar – in that famous Jann Wenner interview, he said ‘I can make a guitar speak’, and you can hear it here. Drummer Andy Newmark lays off the hi-hat most of the time, letting the rhythm guitars fill in the top end.

Three UK singles were released from the album, with diminishing returns: ‘Nobody Told Me’ got to #6, ‘Borrowed Time’ (studio sessions reveal that John used an interesting reference source for the song) #32 and ‘I’m Stepping Out’ #88.

Yoko recorded her tracks during 1982 and 1983, mostly with a very good NYC rhythm section (Neil Jason on bass, Yogi Horton on drums), and they range from the intriguing to extremely corny. ‘Don’t Be Scared’ possibly influenced David Bowie, particularly the title track of Tonight, recorded three months after Milk and Honey was released:

Yoko also enlisted some ‘remix engineers’ who apparently added a lot of post-production effects to John’s vocals, the drums and guitars (she had fallen out with Double Fantasy producer Jack Douglas over unpaid royalties and refused to credit him on the album).

Revisiting Milk and Honey was certainly a bittersweet experience, but it’s an easy album to recommend, and it only makes you miss John all the more. The dunderheaded/ill-informed contemporary critical reactions are explored in this very good video: