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Pretty In Pink @ 40: Ten Things You Didn’t Know About The John Hughes Classic

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Probably John Hughes’s most fondly-remembered teen-rom-com and a defining movie of the 1980s, ‘Pretty In Pink’ was released worldwide on 28 February 1986 and quickly made a sweet $40 million from a $9 million budget.

A timeless tale about a young woman from (literally) the wrong side of the tracks falling for a ‘richie’, it’s endlessly rewatchable and arguably the best-written of Hughes’ movies, even it lacks the visual pizzazz of his directorial work.

Its memorable characters and touching themes reverberate through the years – this is the one that put Molly Ringwald on the cover of ‘Time’ magazine, even if its plot is very similar to ‘Sixteen Candles’. It also features an excellent theme song by the Psychedelic Furs and engagingly off-beat performances.

But what were the what-ifs, weird studio notes and strange/risky decisions that accompanied the making of ‘Pretty In Pink’?

10. It was Howard Deutch’s directorial debut
But he had made his name cutting trailers for Woody Allen, Warren Beatty, Sydney Pollack and Francis Coppola movies, as well as Hughes’ ‘Sixteen Candles’ and ‘The Breakfast Club’. He also directed videos for Stewart Copeland (‘Don’t Box Me In’) and Billys Idol and Joel. He was headhunted by Hughes and mentored throughout. He went on to direct ‘Some Kind Of Wonderful’ from another Hughes script.

9. Molly Ringwald almost didn’t play Andie Walsh
Though Hughes wrote the part with Ringwald in mind (and she had suggested to him both the theme song and title), Paramount wanted Jennifer Beals after she had fronted the enormously successful ‘Flashdance’. Tatum O’Neil and Jodie Foster were reportedly also considered. Hughes fought hard for Ringwald, though she almost turned it down because he wasn’t directing it. As it turned out, she almost played herself in the movie – her mother even features in the photograph which makes her cry.

8. Andrew McCarthy only read the completed script whilst on the plane to start shooting
He auditioned with Ringwald with excerpts of the script. She got him the part – neither Deutch nor Hughes were sure, wondering if Charlie Sheen would be better. Later, when reading the whole thing on his flight to Los Angeles, he reportedly hated the script (there are also reports that Ringwald had an unrequited crush on McCarthy throughout the shoot).

7. McCarthy was 22 years old during filming – playing a 17-year-old – and was having major problems with alcohol
He has admitted being wretchedly hungover during the first record store meeting with Molly Ringwald’s character. In this podcast, McCarthy even goes as far as to say that alcohol ruined his acting career in the late ‘80s.

6. The part of Phil ‘Duckie’ Dale was written for Anthony Michael Hall
But the ‘Breakfast Club’, ‘Sixteen Candles’ and ‘Weird Science’ star turned it down, saying that the plot of the movie was too close to ‘Sixteen Candles’. Robert Downey Jr. and Michael J Fox were also close to getting the part. Jon Cryer got the gig – interestingly he had also recently replaced Matthew Broderick in stage productions of both ‘Brighton Beach Memoirs’ and ‘Torch Song Trilogy’.

5. James Spader was 25 years old during filming – playing a 17-year-old
A very experienced performer before shooting ‘Pretty In Pink’, Spader apparently amazed Hughes and Deutch at his audition with an incredibly obnoxious performance, oozing attitude and stubbing out his cigarette with his foot as he left the room.

4. Duckie’s famous ‘Try A Little Tenderness’ lip-sync nearly didn’t happen
Hughes had written the scene into the script but hadn’t stipulated which track to use. Firstly, Cryer wanted to lip-sync to Michael Jackson/Mick Jagger’s ‘State Of Shock’, but the song was too expensive. The Otis Redding tune was Deutch’s idea. Kenny Ortega choreographed the scene with Cryer.

3. ‘Pretty In Pink’ was the last collaboration between Molly Ringwald and John Hughes
Sadly it seems Hughes never quite forgave Ringwald for refusing to appear in ‘Some Kind Of Wonderful’…and they seldom spoke again before Hughes’ death in 2009.

2. The ending was reshot months after the original wrap – check out Andrew McCarthy’s wig…
The ending was originally supposed to feature Duckie and Andie dancing ecstatically at the prom to Bowie’s ‘Heroes’ in an ‘us against the world’ kind of way, and sticking it to the richies – let’s face it, that sounds fantastic. But a preview audience hated this ending, as did Ringwald. A rethink/reshoot was ordered. Hughes racked his brain for months, trying to work out how Andie could get together with Blaine at the prom. Finally he worked it out – Blaine arrives alone, just like Andie and Duckie. So Ringwald, Cryer and McCarthy were summoned for a one-day reshoot. Only problem was McCarthy was appearing on Broadway in ‘Boys Of Winter’ opposite Matt Dillon and Wesley Snipes and had had his head shaved for the part. So a really terrible wig was found for him. But the now-famous, reshot ending speaks volumes about Hughes’s quality as a screenwriter – both endings would have worked great. OMD’s ‘If You Leave’ was also summoned to soundtrack the finale in just three days, including writing/mixing/recording…

1. Fee Waybill of The Tubes presented the premiere on MTV…
It took place at Mann’s Chinese Theater in Hollywood on 28 January 1986, also attended by Hughes, a very drunk Spader and McCarthy (check out the footage), Cryer, Jon Anderson, Dweezil Zappa, Michael J Fox, Andy Summers, New Order, OMD, George Michael and the Psychedelic Furs.

Further reading: the excellent ‘You Couldn’t Ignore Me If You Tried’ by Susannah Gora

The Greatest 1980s Movie Quotes

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Whilst 1980s cinema was seemingly dominated by action heroes and comic actors (Bill Murray, Chevy Chase, Eddie Murphy, Steve Martin et al) who generally tended to transform projects by dint of their improvisatory skills, there were enough gifted writers around (Woody Allen, Oliver Stone, Bruce Robinson, John Carpenter, John Hughes, the Coen brothers etc.) to generate memorable, crafted lines too.

And the proliferation of comedies, horror movies and smart teen movies made for good zingers. But what makes a memorable movie quote? We present for your dubious pleasure a selection of 1980s lines and mini soliloquies that seem to hold up; some have become part of modern culture, some always provide a laugh or chill however many times one has seen the films, some are just plain weird and wonderful, and a few were probably improvised.

‘It’s not the despair, Laura. I can take the despair. It’s the hope I can’t stand.’ Clockwise (1985)

‘Heineken? F*ck that sh*t! Pabst Blue Ribbon!’ Blue Velvet (1986)

‘Let’s f*ck! I’ll f*ck anything that moves!’ Blue Velvet

‘Why are there people like Frank? Why is there so much trouble in this world?’ Blue Velvet

‘Better to be king for a night than schmuck for a lifetime.’ The King Of Comedy (1982)

‘I bet you’re the kind of guy that would f*ck a person in the ass and not even have the goddamn common courtesy to give him a reach-around.’ Full Metal Jacket (1987)

‘I have come here to chew bubblegum and kick ass, and I’m all out of bubblegum.’ They Live (1988)

‘Can I get ya anything? Coffee? Tea? Me?’ Working Girl (1988)

‘I have a head for business and a bod for sin.’ Working Girl

‘I am serious, and don’t call me Shirley.’ Airplane (1980)

‘What a pisser.’ Airplane (1980)

‘Into the mud, scum queen!’ The Man With Two Brains (1983)

‘You touch me, he dies. If you’re not in the air in thirty seconds, he dies. You come back in, he dies.’ Escape From New York (1981)

‘Beware the moon, lads.’ American Werewolf In London (1981)

‘We’re living in a shop. The world is one magnificent f*cking shop. And if it hasn’t got a price tag, it isn’t worth having.’ How To Get Ahead In Advertising (1989)

‘I tried to stand up and fly straight, but it wasn’t easy with that sumbitch Reagan in the White House. I dunno. They say he’s a decent man, so maybe his advisors are confused.’ Raising Arizona (1987)

‘Be the ball.’ Caddyshack (1980)

‘I’m a veg, Danny…’ Caddyshack

‘This is a cross of Kentucky Bluegrass, Featherbed Bent and Northern California Sensemilia. The amazing stuff about this is, you can play 36 holes on it in the afternoon, take it home and just get stoned to the bejeezus-belt that night.’ Caddyshack

‘The last time I was inside a woman was when I visited the Statue Of Liberty.’ Crimes And Misdemeanours (1989)

‘Showbusiness is not so much dog-eat-dog, it’s more dog doesn’t return dog’s calls.’ Crimes And Misdemeanours

‘For all my education, accomplishments, and so-called wisdom, I can’t fathom my own heart.’ Hannah And Her Sisters (1986)

‘How the hell do I know why they were Nazis? I don’t know how the can-opener works.’ Hannah And Her Sisters

‘If you build it, he will come.’ Field Of Dreams (1989)

‘It’s the best joke of all – a joke on the children…’ Halloween III (1983)

‘Get out…now!’ Halloween II (1981)

‘Listen, lady. If you don’t give Big Ed some air, he’s gonna piss…all over your half of my body.’ All Of Me (1983)

‘You can start by wiping that f*cking dumb-ass smile off your rosy f*cking cheeks. Then you can give me a f*cking automobile. A f*cking Datsun. A f*cking Toyota. A f*cking Mustang. A f*cking Buick! Four f*cking wheels and a seat.’ Planes Trains And Automobiles (1987)

‘I mean to have you even if it must be burglary.’ Withnail & I (1987)

‘My thumbs have gone weird.’ Withnail & I

‘We want the finest wines available to humanity, we want them here and we want them now!’ Withnail & I (1987)

‘Monty, you terrible c**t!’ Withnail & I

‘Flash, I love you, but we only have 14 hours to save the Earth!’ Flash Gordon (1980)

‘Get ready for greatness.’ Say Anything (1989)

‘She’s a brain trapped in the body of a game-show hostess.’ Say Anything

‘I’m incarcerated, Lloyd!’ Say Anything

‘I gave her my heart. She gave me a pen.’ Say Anything

‘Can I borrow your towel for a sec? My car just hit a water buffalo.’ Fletch (1985)

‘When you grow up, your heart dies.’ The Breakfast Club (1985)

‘I wanna be just like you. I figure all I need’s a lobotomy and some tights.’ The Breakfast Club

‘You’re a parent’s wet dream – neo-maxi-zoom-dweebie…’ The Breakfast Club

‘May I admire you again later today?’ Pretty In Pink (1986)

‘She thinks you’re sh*t, and deep down you know she’s right.’ Pretty In Pink

‘This is an incredibly romantic moment and you’re ruining it for me.’ Pretty In Pink

‘I did not achieve this position in life by having some snot-nosed punk leave my cheese out in the wind.’ Ferris Bueller’s Day Off (1986)

‘I’m obsessed, thank you very much.’ St Elmo’s Fire (1985)

‘No Springsteen is leaving this house!’ St Elmo’s Fire

‘How much more black can it be? The answer is…none.’ This Is Spinal Tap (1984)

‘What’s wrong with being sexy?’ This Is Spinal Tap

‘Hope you like our new direction.’ This Is Spinal Tap

‘I’m not gonna be ignored, Dan.’ Fatal Attraction (1987)

‘I love my dead gay son.’ Heathers (1989)

‘Be afraid. Be very afraid.’ The Fly (1986)

‘I’ll have what she’s having.’ When Harry Met Sally (1989)

‘It’s a good scream…’ Blow Out (1981)

‘Where we’re going, we don’t need roads…’ Back To The Future (1985)

‘Seize the day. Make your lives extraordinary.’ Dead Poets Society (1989)

‘They’re here.’ Poltergeist (1982)

‘Listen, and understand! That Terminator is out there! It can’t be bargained with. It can’t be reasoned with. It doesn’t feel pity, or remorse, or fear. And it absolutely will not stop… ever! Until you are dead!’ The Terminator (1984)

‘Gentlemen! Let’s broaden our minds. Lawrence?’ Batman (1989)

‘I’m of a mind to make some mookie.’ Batman

‘I…corrected them, sir.’ The Shining (1980)

‘Little pigs! Little pigs! Let me come in!’ The Shining

‘Why don’t we just… wait here for a little while. See what happens.’ The Thing (1981)

‘There’s no fog bank out there… There’s no fog bank out there… Hey, there’s a fog bank out there.’ The Fog (1980)

‘Get inside and lock your doors. Close your windows. There’s something in the fog!’ The Fog

‘Say goodnight to the bad guy…’ Scarface (1983)

Nik Kershaw: Wouldn’t It Be Good @ 40

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Bristol-born, Ipswich-raised Nik Kershaw had a spiffing 1984 – no other solo artist spent more time on the UK singles charts during the year.

‘Wouldn’t It Be Good’, released 40 years ago this weekend (on the same day as Echo & The Bunnymen’s ‘The Killing Moon’) and reaching #4, was his second single – ‘I Won’t Let The Sun Go Down On Me’ initially flopped in September 1983.

‘Wouldn’t It Be Good’ was predominantly recorded at Sarm East studios on Osborn Street, Aldgate (don’t look for it – it’s not there any more). Peter Collins produced soon after helming Musical Youth’s ‘Pass The Dutchie’ and Tracy Ullman’s solo output (he later worked with Rush, Alice Cooper and Queensryche). The song’s original title was ‘Wouldn’t It Be Nice’ – Collins demanded a better word than ‘nice’.

It’s a great single, the beginning of movingtheriver’s love affair with Kershaw’s music, and its ominous lyrics have the slight whiff of ‘In The Air Tonight’ about them, as well as a subtle social conscience. I also always liked the weird emphases he placed on some words/syllables – ‘You must be JOKING/You don’t know A thing about it/You got no probLEM‘ etc…

I distinctly remember watching him perform the song on ‘Top Of The Pops’ for the first time – who was this tramp on telly, with the snood and fingerless gloves? My parents liked the track too, which was a bit disarming.

The song’s overdriven guitars were layered/overdubbed, Brian May-style (best heard on the 12” remix), and their major-seventh chords create some strange timbres. Its structure is seriously weird too – the second chorus comes right at the end, after a lengthy guitar/horn solo. The delayed gratification is clever and totally outside the norm.

The video was directed by Storm Thorgersen, mostly filmed in a large, disused building opposite Buckingham Palace, apart from a bit at the Mullard Radio Astronomy Observatory in Cambridge. An extremely odd cover version features on the ‘Pretty In Pink’ movie soundtrack. Nik fluffed the words at Live Aid but hardly anyone noticed.

Happy birthday to another classic single from 1984.