Spotify Guilt (Part Deux)

Morris Levy

‘When we win a Golden Globe, it helps us sell more shoes.’
Amazon founder Jeff Bezos, 2016

The Spotify weirdness continues, as does movingtheriver’s ambivalence about the platform (its only real draw seems to be convenience, like everything else in the tech game. After all, music is only ‘content’, or at least that’s how it was recently described by MD Daniel Ek.)

As Ted Gioia has pointed out, Spotify’s current modus operandi seems to be: cut costs (staff redundancies), raise prices for customers, and play games (create AI music so the ‘human element’ can be ruled out and composers not paid.)

One’s reminded of that line in Robert Altman’s ‘The Player’, when Tim Robbins’ stressed movie exec, answering the charge that anyone could write a script simply based on the headlines in the morning papers, says something like: ‘Great – remove the screenwriter and we might really have something going here.’

If you ever get a job with one of the ‘big three’ music companies (Warner, Sony, Universal), you’ll probably have to undergo an ‘introduction to the music business’ course which emphasises the noble goal of collecting royalties for musicians and songwriters. But the more money at stake, the less this seems to happen. One’s reminded of Morris Levy’s stock riposte to disgruntled musicians and songwriters: ‘If you want royalties, go to Buckingham Palace’.

But then it’s important to remember labels like Blue Note, Virgin and Island, and people like Alfred Lion, Simon Draper and Chris Blackwell, who were always music fans first and foremost. Ditto almost everyone I’ve come across working in niche genres (jazz, classical etc.).

As for Spotify’s marketing pitch about discovering new music? I can’t think of any new music I’ve discovered via Spotify (but have discovered some good new podcasts). My discovery of new music comes from the old gatekeepers – magazines, radio programmes, music books, blogs, press releases. I probably use Spotify like a lot of other people – to ‘organise’ and compile mostly old music that I’ve previously owned or hired from the library etc. etc.

Then there’s the staff redundancy issue, as above. Anyone who follows Spotify on LinkedIn will see them posting all kinds of strange techie jobs. You can be sure that almost none are focused on music. Very occasionally you notice a half-decent functionality upgrade (most recently, finally you can move a track up or down a playlist without too much faff, but there are still a myriad of problems – this video highlights them very well) but it’s probably safe to assume they are mainly seeking newer and better ways to snoop on their users.

So the Spotify conundrum continues. When will I finally give up my Premium subscription? When it goes up to £12.99 a month? When a whole load of catalogue starts to go ‘missing’? Watch this space.

1980s Podcasts Ya Know, 1980s Podcasts Ya Don’t

One of the legacies of the wretched last few years is that everyone and their little brother has started a podcast.

Of course there’s a lot of flim-flam but the good news for fans of 1980s music and movies is that many of the decade’s big names are getting involved. They are in bullish, talkative mood, still full of ideas and enthusiasm.

Elsewhere podcasters of all stripes are revisiting key (and not-so-key) works of the 1980s and beyond, offering fresh perspectives. Here’s a selection of podcasts that have held movingtheriver’s attention over the last few years.

Electronically Yours is helmed by Human League/Heaven 17 co-founder and producer/synth pioneer Martyn Ware. He opens his formidable address book to speak to some big names as well as influential but less well-known figures who helped shape 1980s music. Ware seems an amiable fellow and he extracts some intriguing revelations from his guests, sometimes even getting closure on issues that affected his career 40 years ago (see the Bob Last and Simon Draper interviews).

Though he occasionally sounds a bit like Gareth Keenan of ‘The Office’ during one of his Health & Safety seminars, Edward Russell’s podcast Inside the Groove takes an indepth, entertaining look at Madonna’s music and career. There are intriguing bits of studio gossip and great chances to hear exposed multi-tracks of the hits – ‘Borderline’ and ‘Open Your Heart’ are doozies.

Smersh Pod is a look at the Bond films and their connections, expanding out to discuss notoriously cruddy cult movies such as ‘Bullseye’ and ‘Death Wish II’. John Brain presents with vigour and chats with a lot of amusing guests mainly from the comedy world.

Breakfast With Vinnie is the unique podcast of drum hero Vinnie Colaiuta. He generally eschews celeb interviews (though John McLaughlin makes a lovely appearance) in favour of philosophical musings about music, society and culture.

Rockonteurs, co-helmed by Spandau man Gary Kemp and Floyd/Bryan Ferry bassist Guy Pratt, is a series of informal chats with friends and colleagues. Their repartee is sometimes a little grating but interviews with Level 42’s Mark King, Boy George, Trevor Horn and key Madonna/Ferry collaborator Patrick Leonard are particularly memorable.

Word in Your Ear is the brainchild of ‘Whistle Test’ presenters and founders of Q/The Word magazines Mark Ellen and David Hepworth. It won’t surprise anyone that it’s witty, entertaining, opinionated and always worth a listen.

Bass Culture UK is a valuable portrait of the movers and shakers of British reggae and soundsystem culture, featuring excellent interviews with key figures like Don Letts and Dennis Bovell.

For you jazzheads out there, Guitarwank, Jazz United and Jazz Bastard have been consistently entertaining.

But – drum roll – the movingtheriver.com Podcast of the Year is… 80sography. It’s mostly a series of extended interviews with key producers of the decade and a must for anyone who wants to know what went on in studios during the 1980s. It also serves as a good ‘making of’ many classic albums. The Stephen Hague, Langer/Winstanley, Hugh Padgham and Stephen Lipson interviews are all entertaining and comprehensive.

Any other cool related podcasts? Leave a comment below.