Maybe it should have come as no surprise when Jeff Porcaro laid down one of the greatest recorded drum performances of all time on the Toto song ‘Rosanna’.
After all, he had only been in the music business for less than a decade and was already being talked about as one of the finest drummers in the world.
He had also always been a disciple of Bernard Purdie and John Bonham, those kings of the half-time shuffle, as well as legendary ghost-note masters Jim Gordon and Jim Keltner.
But it’s the way he brought together all these influences to come up with something totally his own. Recorded at Sunset Sound in Los Angeles by engineer Al Schmitt, it may be the most analysed groove of all time, though Porcaro was always extremely humble about its genesis and execution.
Listening to it in its entirety, raw and uncut without any other accompanying instruments, the performance takes on a whole new meaning for me. Porcaro’s mastery of time and groove are impeccable.
It’s the attention to detail, beyond ‘just’ the placing of the ghost notes and doubles.
Keep in mind that he had to navigate the band through a tricky, mid-paced track with lots of ‘holes’ – a one-bar rest here, half-a-bar rest there – as well as apeing Jerry Hey’s horn arrangements, first heard at 1:08.
It’s also fascinating to hear how Porcaro navigates those holes, putting in an extra hi-hat or kick-drum beat to dictate the time to the band (and himself):
According to Schmitt (who deserves much credit for a beautiful sounding kit), ‘Rosanna’ was the first song recorded for Toto IV. Jeff’s part was laid down live with the rhythm section – bass, guitar, two keyboards – and it was the second and final take.
Written by David Paich and released as a single on 1st April 1982, it reached #14 on the Billboard Hot 100 and sold over a million copies. Finally, here’s the final version of ‘Rosanna’ to hear how Porcaro’s work perfectly compliments the rest of the band.