Catching Up With Eddie Van Halen

225px-Eddie_Van_Halen_(1993)When I think of ’80s Eddie Van Halen, the image in my mind’s eye is probably not a lot different to any other fan – he’s grinning from ear to ear, cavorting around the stage, playing some of the greatest rock guitar of all time with one of the sweetest tones.

So it’s interesting to see him recently – sober, reflective, brutally honest, fiercely independent – talking about his life and craft onstage at the Smithsonian Museum of American History in Washington DC.

‘Jump’ had always been a favourite of mine and was at the back of my mind when I came across Van Halen’s superb debut album at Harry’s Records in Twickenham (another one that’s bitten the dust), during my first week of sixth-form college in 1989.

I just loved the devil-may-care feel of Eddie’s playing. He was fearless, unconcerned about making mistakes (his dad gave him some advice: if you make a mistake, do it again – with a smile), the same attitude that spurred on Parker, Ornette, Hendrix and Jaco.

I later got heavily into the VH albums Women And Children First, Fair Warning, Diver Down, 1984 and OU812, but the band have been completely off my radar since the early ’90s, when I loved the ‘Poundcake’ single.

Having said that, not living in the States, I’ve completely missed the recent new album and TV appearances featuring David Lee Roth back on vocals. Maybe I need to check in again because I dug this:

Anyway, back to the interview. It’s fascinating hearing Eddie chatting about his life and career, away from all the controversy that has dogged the band over the last few decades.

He talks about building his first guitar, the last album he bought (clue: it was back in 1986 and by an English singer who was once in a very famous progressive rock band…), demonstrates some techniques and talks candidly about his sometimes difficult early life as an immigrant in the USA.

G’wan – give yourself an hour off and enjoy some words from a master.

Mr Big: Addicted To That Rush

Mr_Big_Self-TitledIn the world of late-1980s US rock, guitar virtuosity was the order of the day.

Eddie Van Halen’s massive popularity had ushered in a huge raft of poodle-haired, fleet-fingered plank-spankers such as Zakk Wylde, Marty Friedman and George Lynch.

Though I was very definitely a Van Halen man, and also had a real penchant for Steve Vai and Yngwie Malmsteen, I was always much more into people like Scott Henderson, Jeff Beck and John Scofield than the thousand-notes-per-second boys, brilliant musicians though they undoubtedly were.

But then my friend James Broad played me ‘Addicted To That Rush’ by Mr Big. It had the unmistakable whiff of early Van Halen about it, not least with its double-time groove, similar to ‘Hot For Teacher’ and ‘Satch Boogie’. Guitarist Paul Gilbert was clearly a veritable fire-breather with an incredible facility for high-speed, heavily-chromatic solos, but also had quite an original tone and refreshing sense of humour.

But basically ‘Addicted’ was a flagrant display of muso shock and awe, not just from Gilbert but also ex-Dave Lee Roth bassist Billy Sheehan (how many other HM tracks have had the balls to start with a bass solo?) and drummer Pat Torpey (check out his intricate hi-hat work in the opening section).

The rest of side one from their 1989 debut album was also great. Side two was not so hot though, and I hated their pop breakthrough (‘To Be With You’). But there’ll always be ‘Addicted To That Rush’. We’re rollin’…