10 Classic 1980s Singles Featuring Brushes

Some brushes, yesterday

When you think of 1980s pop music, which drum sounds come to mind?

They’re probably pretty loud and the infamous gated snare possibly looms large: ‘Let’s Dance’, ‘In The Air Tonight’, ‘Hey Mickey’, ‘Uptown Girl’, ‘A Town Called Malice’, ‘Born In The USA’.

But there’s a whole alternative world of 1980s hits where the drummer played very quietly, with brushes rather than sticks. Stuff like Buddy Holly’s ‘Raining In My Heart’, The Beatles’ ‘When I’m 64’ and Lou Reed’s ‘Walk On The Wild Side’ probably laid down the gauntlet, but you can’t imagine any producers or focus groups demanding that the drummer play brushes to create a hit (and when was the last hit that featured brushes?).

Here are some classic 1980s singles that somehow got away with it (all chart placings from the UK).

10. Echo & the Bunnymen: ‘Killing Moon’
Powered by Pete de Freitas’s subtle and unexpected brushwork, the classic single got all the way to #9 in early 1984.

9. George Michael: ‘Kissing A Fool’
The seventh and final single from Faith, written back in 1984, reached the top 20 and was initially mooted to be the title track of that 1987 album. Session player Ian Thomas, soon to play with everyone from Robbie Williams to Scott Walker, overdubbed some brushes on the snare after first recording a pass with sticks.

8. The Cure: ‘The Lovecats’
This stand-alone single was also the band’s first top ten hit, peaking at #7 in October 1983. Drummer Andy Anderson began his career with Hawkwind’s Nik Turner and Steve Hillage, then ended up on Robert Smith and Steve Severin’s The Glove side project. He found himself recording this song in Paris then joined the band for a year, playing on 1984 album The Top and playing brushes on another B-side, ‘Speak My Language’. He then toured with Iggy Pop throughout 1987. Anderson died in 2019.

7. Alison Moyet: ‘That Ole Devil Called Love’
This stand-alone single reached a heady #2 during March 1985, produced by ’18 With A Bullet’ singer Pete Wingfield. But who’s the drummer? Answers on a postcard please.

6. Robert Wyatt: ‘Shipbuilding’
Not much is known about drummer Martin Hughes, but he did a nice job on this classic single which reached #35 in April 1983.

5. Chris Rea: ‘Driving Home For Christmas’
Written in 1978, it was originally intended for Van Morrison. Rea first recorded it as a B-side to the 1986 single ‘Hello Friend’, with drummer Dave Mattacks playing almost with a country feel. But the most famous version features on Rea’s 1988 New Light Through Old Windows compilation album with drums by Martin Ditcham, best known for his percussion work.

4. Chris Isaak: ‘Wicked Game’
Kenney Dale Johnson played some very subtle drums on this classic single released in July 1989, going on to become a huge sleeper hit in the US and UK.

3. Elton John: ‘Blue Eyes’
Recorded at AIR Studios in Montserrat, this touching ballad was the lead-off single from John’s Jump Up! album, reaching the top ten in 1982. The very slow 6/8 groove was beautifully marshalled by Jeff Porcaro. See also Toto’s ‘Don’t Stop Me Now’ and Ray Charles’ ‘Still Crazy After All These Years’ for some classic Porcaro brushwork.

2. Fairground Attraction: ‘Perfect’
It reached UK #1 in May 1988 – is it the only chart-topper to feature a drummer playing brushes? London jazzer Roy Dodds did the honours on this.

1. Rain Tree Crow: ‘Blackwater’
Cheating a bit here. It wasn’t released until 1991 but was recorded in December 1989 at Chateau Miraval in Southern France. It was the reformed Japan’s only single, reaching #62. In the band biography ‘Cries And Whispers’, drummer Steve Jansen makes the remarkable claim that his whole performance was pieced together using samples. Weird…

Any other 1980s hits that feature brushes? Drop us a line below.

What Is ‘1980s Music’?

It’s a question that has been obsessing your correspondent over the last few days – which music epitomises the 1980s?

If, in 500 years, someone demanded to hear a song that represented the decade, which piece would best encapsulate it? And is ‘1980s Music’ a genre?

A website called movingtheriver.com should be able to pin down what makes a quintessentially 1980s track, but it’s not easy. So let’s begin with a process of elimination.

A lot of 1980s music was influenced by previous genres – Motown, punk, glam, psych, prog, metal, disco, jazz/funk, singer/songwriter, folk, reggae, ’70s electronica, minimalism, funk, blues. So we need tracks that jettison those tropes.

Many bands used synths in a way that was influenced by 1970s pioneers Kraftwerk, Tangerine Dream and Giorgio Moroder (Japan, OMD, Pet Shop Boys, The Art Of Noise etc.), so wouldn’t qualify as uniquely 1980s. We’re after artists that used sequencers and synths in a more ‘progressive’/melodic way, mainly to aid songwriting.

Huge 1980s acts like Wham!, ABC, Madonna, Simply Red and Culture Club obviously tapped into Motown, R’n’B and Chic-style disco/funk. Eurythmics were inspired by everything from the Stones to Kraftwerk. So they won’t do.

Tina Turner, MJ, Genesis, Peter Gabriel, Bruce, Prince and Hall & Oates all blossomed in the 1970s, while Cyndi Lauper’s songs and style had elements of that decade too, as did many Goth acts. Production styles came and went, and of course there were common tropes like the gated snare drum and synth bass, but again they don’t particularly define the decade.

The sweet spot seems to be around 1984/1985. Musicians and songwriters were leaving behind post-punk, classic soul, blues and ‘rock’ (though of course all would return with a vengeance by the end of the decade) and forging a quintessentially 1980s sound.

I’d put forward the following as completely 1980s, born and bred in that decade, with no apparent antecedents from any well-worn styles (‘bluesy’ chord progressions, ‘folky’ singing) or particular era, with the possible exceptions of Sting and Associates (and of course one could have chosen some other tracks by these artists). In short, for better or worse, it’s pretty hard to work out their influences:

18. Bros: ‘I Owe You Nothing’

17. Rick Astley: ‘Whenever You Need Somebody’

16. Go West: ‘We Close Our Eyes’

15. The System: ‘You Are In My System’

14. Dollar: ‘Videotheque’

13. Tears For Fears: ‘Shout’

12. Propaganda: ‘Duel’

11. Frankie Goes To Hollywood: ‘Two Tribes’

10. Colonel Abrams: ‘Trapped’

9. Erasure: ‘Sometimes’

8. Alison Moyet: ‘Ordinary Girl’

7. Scritti Politti : ‘All That We Are’

6. Prefab Sprout: ‘Don’t Sing’

5. The Smiths: ‘Heaven Knows I’m Miserable Now’

4. Sting: ‘Fortress Around Your Heart’

3. Associates: ‘Party Fears Two’

2. Wang Chung: ‘Dance Hall Days’

1. Nik Kershaw: ‘The Riddle’

1980s Albums That Always Appear In Charity/Secondhand Shops

So it’s official: old music is hugely outselling new music. And vinyl is the most popular physical format again.

Go into a record shop and likely you’ll be stunned at the price of secondhand vinyl, not to mention new catalogue LPs that can cost up to 25 quid for a posh reissue.

All of which might amuse/surprise music fans of my vintage who kept hold of their record players through the years and spent the noughties digging around the vinyl discount stores, often picking up ‘esteemed’ albums for anything between 10p and a quid (the price of a postage stamp, for readers outside the UK).

So what were those 1980s vinyls that were/are ALWAYS in secondhand shops and, by extension, still ever-present in charity shops? And why were they always there?

Most smack of the impulse buy by people who get one album a year, or the ‘difficult’ follow-ups to a smash. Some are tainted by an almost ineffable naffness. Most were deemed surplus on vinyl once CD became the format of choice, and most are weirdly genre-less.

Stacked high/sold cheap, you’d think they’d be reissue-proof, never to be seen again. But not so fast: ‘deluxe’ editions of these are probably on their way to a shop/streaming service near you, or have already arrived…

The Beautiful South: Welcome To The Beautiful South

U2: Rattle And Hum

Del Amitri: Waking Hours

Bros: Push

Hothouse Flowers: People

Michael McDonald: Sweet Freedom (The Best Of Michael McDonald)

T’Pau: Bridge Of Spies

Foreigner: Agent Provocateur

Michael Bolton: Soul Provider

Meat Loaf: Dead Ringer

John Cougar Mellencamp: The Lonesome Jubilee

Enya: Watermark

Five Star: Silk And Steel

Arcadia: So Red The Rose

Sade: Diamond Life

Chris Rea: The Road To Hell

Phil Collins: No Jacket Required

Bryan Ferry: Boys And Girls

Genesis: Invisible Touch

George Michael: Faith

Tracy Chapman: Tracy Chapman

Fleetwood Mac: Tango In The Night

Wet Wet Wet: Popped In, Souled Out

Fairground Attraction: The First Of A Million Kisses

Paul Young: No Parlez

Tom Petty: Full Moon Fever

Michael Jackson: Bad

Tina Turner: Private Dancer

Lionel Richie: Can’t Slow Down

Alison Moyet: Alf

Patti Labelle: Winner In You

Howard Jones: Human’s Lib

Simply Red: A New Flame

Whitney Houston: Whitney

Paula Abdul: Forever Your Girl

Bon Jovi: Slippery When Wet

Madonna: True Blue

Tears For Fears: Songs From The Big Chair