40 years ago, gay artists weren’t just occasional visitors to the British pop charts – they were leading the agenda.
A famous top three of August 1984 featured George Michael at #1, Frankie Goes To Hollywood at #2 and Bronksi Beat’s ‘Smalltown Boy’ at #3.
Remarkably, the latter was also the Bronskis’ debut single, coming from debut album The Age Of Consent. And what a trailblazing/timeless classic it is, danceable and tearjerking, with a once-in-a-lifetime vocal performance from Jimmy Somerville and that winning chord sequence.
Bernard Rose’s sombre video (which has had 121 million YouTube views at the time of writing) was obviously a huge part of the song’s success, combining the ‘realist’ style of Mike Leigh and Ken Loach with a few poetic touches to brilliant and moving effect.
Producer Mike Thorne’s role on the track is often undervalued too – there was a touch of his ‘Tainted Love’ in his bass sound and extensive use of top-end on synths and drums, and he also gets a pat on the back for leaving in a few mistakes (check out the shockingly-played synth lead line in the first 30 seconds, a section that also seems to speed up a lot).
The legacy of ‘Smalltown Boy’ is rather sad though – writers/co-founders Steve Bronski and Larry Steinbachek have both died recently, deaths that seems to have been somewhat under-reported in the media.
It’s all radio presenter Nick Abbot’s fault. On a recent podcast, he mentioned finding himself with a tear in the eye when listening to David Gilmour’s second guitar solo on Pink Floyd’s ‘Comfortably Numb’ in his car.
But it’s a subject almost totally ignored in print outside of scientific works: music’s effect on the body and mind. If you love it, surely it’s supposed to create a molecular change. The last few years may also have precipitated a more emotional relationship to music than usual, despite the current industry obsession with data and algorithms.
So, hide the onions and pass the sick bag: here are a few tracks from the 1980s that may have occasionally been known to put a lump in this correspondent’s throat, driven by nostalgia, musical excellence, loss of innocence and who knows what else.
21. Captain Sensible: ‘We’re Glad It’s All Over’
20. Bronski Beat: ‘Smalltown Boy’
19. Tina Turner: ‘Private Dancer’
She wants a husband and some kids but somehow the music tells you that the protagonist is never going to get out from under…
18. Johnny Gill: ‘Half Crazy’
17. Keith Jarrett: ‘Spirits 2’
16. The Kids From Fame: ‘Starmaker’
15. Peter Gabriel: ‘Lead A Normal Life’
Hard to think of a piece of music that better expresses loneliness, but there’s compassion too.
14. Christopher Cross: ‘Sailing’
13. Blondie: ‘Atomic’
12. The Pretenders: ‘Hymn To Her’
11. Art Pepper: ‘Our Song’
Gratuitous sax and violins. Recorded 18 months before his death, inspired by meeting his widow Laurie, Pepper seeks redemption for a largely selfish, itinerant life – does he find it? He tries bloody hard.
10. Jaco Pastorius: ‘John & Mary’
9. Pino Donaggio: ‘Blow Out (closing titles)’
The melody maestro’s beautiful theme from Brian De Plasma’s 1981 film starring John Travolta and the director’s then-wife Nancy Allen. A critic once said that her character’s death in the movie is the first one De Palma seems to care about – Donaggio’s music is the reason.
8. Madonna: ‘Oh Father’
7. David Bowie: ‘Absolute Beginners’
It’s the hope, not the despair. Maybe THIS time it’s all going to work out, ‘just like in the films’…
6. David Sanborn: ‘Imogene’
5. Dexter Gordon/Herbie Hancock: ‘Still Time’
The double meaning of Herbie’s title says it all – Dexter’s beautiful soprano playing is fragile yet also somehow ageless.
4. Prefab Sprout: ‘Moving The River’
3. Janet Jackson: ‘Livin’ In A World (They Didn’t Make)’
Just for the sheer beauty of Jam and Lewis’s composition. Janet’s words augment that.
2. Scritti Politti: ‘Oh Patti (Don’t Feel Sorry For Loverboy)’
1. The Police: ‘Driven To Tears’ (only joking – that’s enough tearjerkers… Ed.)
If you’ve got the stomach for it, chime in with your tearjerkers below.
Janice Long (pictured left – the first woman to have a daytime show on Radio 1, the first female presenter of ‘Top Of The Pops’ and a great supporter of upcoming artists)
Nick Kamen
Dave Greenfield (Stranglers keyboardist)
Charlie Watts
Henry Woolf (teacher, poet, actor and member of Harold Pinter’s ‘Hackney Gang’)
Terence ‘Astro’ Wilson (co-founder of UB40)
Mick Rock
Baron Browne (bassist with Billy Cobham, Steve Smith’s Vital Information, Jean-Luc Ponty)
Joan Didion
Dean Stockwell
Stephen Russell (Barefoot Doctor)
Jimmy Heath
John Sessions
Eddie Van Halen
Lyle Mays
Betsy Byars
Jon Christensen (drummer for Keith Jarrett, Jan Garbarek etc.)
McCoy Tyner
Ian St. John & Jimmy Greaves (Saint & Greavsie)
Wallace Roney (jazz trumpeter)
Onaje Allan Gumbs (keyboardist with Will Downing, Phyllis Hyman, Billy Cobham etc.)
Hal Willner
Lee Konitz
Little Richard
Jimmy Cobb (drummer on Miles Davis’s Kind Of Blue)
Gary Peacock (bassist with Keith Jarrett, Miles Davis etc.)
Lee ‘Scratch’ Perry
Deon Estus (bass player with Wham!, George Michael and Marvin Gaye in Ostend, solo artist and producer)
Nanci Griffith
Dusty Hill (ZZ Top bassist)
George Wein (pianist, impresario and founder of the Newport Jazz Festival)
Phil Schaap (jazz historian and key contributor to Ken Burns’ ‘Jazz’ documentaries)
Pee Wee Ellis
Stephen Sondheim
Matthew Seligman (Thomas Dolby/Thompson Twins/Soft Boys bassist)
Genesis P-Orridge (co-founder of Throbbing Gristle)
Cristina (post-punk singer of ‘Drive My Car’ fame)
Michael Apted (director of ‘The Coal Miner’s Daughter’, ‘Ptang Yang Kipperbang’, ‘Gorillas In The Mist’, ‘Bring On The Night’, ‘The World Is Not Enough’, ‘Gorky Park’ and co-creator/director of the ‘Seven Up’ TV series)
Ed ‘Duke Bootee’ Fletcher (teacher, hip-hip pioneer and co-writer of Grandmaster Flash/Furious Five’s ‘The Message’)
Phil Chen (bassist on Jeff Beck’s Wired and Blow By Blow)
Phil Spector
Cicely Tyson (Academy Award/Emmy-winning actress and wife of Miles Davis)
Larry McMurtry
Lawrence Ferlinghetti (Beat poet)
Charles Grodin
Pauline Ann Strom (synth pioneer)
Bill Withers
Al Schmitt (recording engineer for Steely Dan, Toto, Diana Krall etc.)
George Segal
Jackie Mason
Robbie Shakespeare (Sly & Robbie bassist)
Una Stubbs
Ed Asner
Jean-Paul Belmondo
Yaphet Kotto
Chick Corea
Malcolm Cecil (jazz bassist and co-producer/synth programmer on Stevie Wonder’s Innversions, Talking Book and Music Of My Mind)
Greg Tate (jazz and soul writer)
Barry Harris (bebop pianist)
Charlie Watts
Lennie Niehaus
Steve Bronski (c0-founder of Bronski Beat)
Pat Martino
Rick Laird (Mahavishnu Orchestra bassist)
Milford Graves
Jon Hassell
Alan Hawkshaw (composer of many great TV and film themes including ‘Channel 4 News’, ‘Countdown’, John Carpenter’s ‘The Fog’ and this cracker which soundtracked much of my 1980s:)