It’s all radio presenter Nick Abbot’s fault. On a recent podcast, he mentioned finding himself with a tear in the eye when listening to David Gilmour’s second guitar solo on Pink Floyd’s ‘Comfortably Numb’ in his car.
But it’s a subject almost totally ignored in print outside of scientific works: music’s effect on the body and mind. If you love it, surely it’s supposed to create a molecular change.
The last few years may also have precipitated a more emotional relationship to music than usual, despite the current industry obsession with data and algorithms.
So, hide the onions and pass the sick bag: here are a few tracks from the 1980s that may have occasionally been known to put a lump in this correspondent’s throat, driven by nostalgia, musical excellence, loss of innocence and who knows what else.
19. Tina Turner: ‘Private Dancer’
She wants a husband and some kids but somehow the music tells you that the protagonist is never going to get out from under…
18. Johnny Gill: ‘Half Crazy’
17. Keith Jarrett: ‘Spirits 2’
16. The Kids From Fame: ‘Starmaker’
15. Peter Gabriel: ‘Lead A Normal Life’
Hard to think of a piece of music that better expresses loneliness, but there’s compassion too.
14. Christopher Cross: ‘Sailing’
13. Blondie: ‘Atomic’
12. The Pretenders: ‘Hymn To Her’
11. Art Pepper: ‘Our Song’
Gratuitous sax and violins. Recorded 18 months before his death, inspired by meeting his widow Laurie, Pepper seeks redemption for a largely selfish, itinerant life – does he find it? He tries bloody hard.
10. Jaco Pastorius: ‘John & Mary’
9. Pino Donaggio: ‘Blow Out (closing titles)’
The melody maestro’s beautiful theme from Brian De Plasma’s 1981 film starring John Travolta and the director’s then-wife Nancy Allen. A critic once said that her character’s death in the movie is the first one De Palma seems to care about – Donaggio’s music is the reason.
8. Madonna: ‘Oh Father’
7. David Bowie: ‘Absolute Beginners’
It’s the hope, not the despair. Maybe THIS time it’s all going to work out, ‘just like in the films’…
6. David Sanborn: ‘Imogene’
5. Dexter Gordon/Herbie Hancock: ‘Still Time’
The double meaning of Herbie’s title says it all – Dexter’s beautiful soprano playing is fragile yet also somehow ageless.
4. Prefab Sprout: ‘Moving The River’
3. Janet Jackson: ‘Livin’ In A World (They Didn’t Make)’
Just for the sheer beauty of Jam and Lewis’s composition. Janet’s words augment that.
2. Scritti Politti: ‘Oh Patti (Don’t Feel Sorry For Loverboy)’
1. The Police: ‘Driven To Tears’ (only joking – that’s enough tearjerkers… Ed.)
If you’ve got the stomach for it, chime in with your tearjerkers below.
I probably shouldn’t admit this, but Billy Joel’s ‘Goodnight Saigon’ made me cry the first time I heard it….
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Admit away… I can dig that.
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Agree with Absolute Beginners. Always thought Brilliant Disguise was quite moving.
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The Bruce song? Great lyric.
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Yep off Tunnel of Love
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Another Prefab Sprout song, “Nightingales” can get to me in all sorts of ways …
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Good call – that’s a coincidence. It randomly popped up on my Summer Playlist yesterday and had a very similar effect on me. I’d maybe put ‘Pearly Gates’ and ‘Til The Cows Come Home’ in that category too…
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Can barely get through Regina Belle singing “After the Love Has Lost Its Shine.”
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Have just listened to it for the first time. What an affecting song and brilliant vocal performance. Who wrote it?
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The credits list Sam Dees as the songwriter. Have you listened to Regina’s debut album “All By Myself” from 1987? First song that got airplay in the states was “So Many Years” and it is also an incredible production and performance.
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I must look into Dees. I have listened to the Regina debut album but don’t know it well, I think the production initially put me off a bit but I’ll check it out again. Great singer for sure.
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I get what you’re saying about the production. Being of a certain generation, I sort of like the post disco stuff, especially when performed by a great singer like Stephanie Mills, Angela Bonilla or Regina. People hear Regina Belle and they immediately think of “A Whole New World” with Peebo Bryson or even “Make it Like it Was” which is a bit cloying and a little too self aware, and yet, she still manages to elevate anything she touches.
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