Though ‘Ghostbusters‘ is probably still paying a lot of Ray Parker Jr.’s bills, he’d certainly paid his dues before he got the call (apparently only after Fleetwood Mac’s Lindsey Buckingham turned down writing the theme song).
A decade earlier, Ray had played guitar on some great albums of the ’70s (Stevie’s Talking Book and Innervisions, Rufus/Chaka Khan’s Rags To Rufus, Harvey Mason’s Funk In A Mason Jar, Marvin’s I Want You, Leon Ware’s Musical Massage), not to mention sessions with the likes of Boz Scaggs, Barry White, Tina Turner, Herbie Hancock and Bill Withers.
He also enjoyed a few big hits as part of Raydio before going solo in ’82. Either side of ‘Ghostbusters’, he put out two interesting albums which are now released as a good-value two-fer by Cherry Red/Soulmusic.com.
Though he’s never going to go down as one of the all-time great solo acts, Parker Jr. has one of the most recognisable guitar styles in black music and a very cool, understated vocal style. ’83’s Woman Out Of Control unleashes a kind of feminist funk with various tracks unashamedly taking the laydeez’ side in the battle of the sexes, creating something pretty original. ‘Electronic Lover’ and ‘Invasion’ also rock the kind of psych-synth-funk sound that Prince and his contemporaries were tapping into at the time.
‘85’s Sex And The Single Man, the post-‘Ghostbusters’ album, ups the stakes with a lot more fuzz-toned lead guitar and also some weird synth-pop fun on ‘Girls Are More Fun’ and ‘I’m A Dog’. ‘One Sided Love Affair’ is an amusingly-shameless ‘Hello’ rewrite and there’s some cracking Cameo-style funk/rock on the title track.
‘Men Have Feelings Too’ demonstrates more of his rhythm-guitar mastery. I was going to say that his playing sounds very Prince-influenced but it’s the other way round; check out this masterclass for the evidence.
The albums were only minor hits – apparently Arista boss Clive Davis wasn’t blown away by their modest chart placings and was slow to return Parker Jr.’s call when contract-renewal time came around. While it’s true that there’s nothing as immediate or hook-laden as ‘Ghostbusters’ on these two records, they’re definitely worth reappraising and make nice companion pieces to Miles Davis’s You’re Under Arrest, Cameo’s She’s Strange, Prince’s Purple Rain and The Time’s Ice Cream Castle. Ray’s still going strong too, playing festivals and turning up on the occasional session.
P.S. Apparently Parker Jr. has been subject to an out-of-court settlement regarding the similarity of ‘Ghostbusters’ to Huey Lewis And The News’ ‘I Need A New Drug’. Judge for yourself…