I’m really not sure how I first came to be aware of The Sundays.
I don’t recall seeing them on TV or hearing them on the radio, though do vaguely remember a Vox magazine cover feature in early 1991 (see below).
To this day, I don’t really know what they look like and don’t want to know – I started watching the video for ‘Can’t Be Sure’ while writing this and had to turn it off…
With hindsight, some of the band’s ‘indie’ influences would generally have been a turn-off to me in 1989/1990 – instead, we were all drawn to the crystalline, unfettered beauty of Harriet Wheeler’s voice and her winning way with a melody.
Though ‘Can’t Be Sure’ was released as a UK single in January 1989 and reached just 45 in the singles charts, it ended the year as number one in John Peel’s Festive Fifty. The track also has a weird prog connection – it was (excellently) co-produced by Ray Shulman, a founding member of Gentle Giant.
‘Can’t Be Sure’ and its attendant classic album Reading, Writing And Arithmetic now seem redolent of a far gentler time, an era of hope and innocence, pre-Grunge and Britpop.
For that reason, along with the Cocteaus’ Heaven Or Las Vegas, they’re quite hard to listen to now but no less powerful. The Sundays were also arguably a very influential band on many inferior acts (The Cranberries, The Corrs etc etc).
Saw them live supporting Throwing Muses in Bristol just after the single came out. Think the early stuff stands up pretty well (but then I think the Cocteau Twins output to Blue Bell Knoll in 88 is also pretty much peerless). Didn’t Ray Shulman produce the Sugarcubes debut as well?
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