In Memoriam: movingtheriver salutes the fallen of 2025

Anthony Jackson

Jack DeJohnette

Al Foster (drummer with Miles Davis/Sonny Rollins/Herbie Hancock etc.)

Chris Hill (DJ and member of the so-called ‘Funk Mafia’)

David ‘Syd’ Lawrence (cricketer)

Wayne Larkins (cricketer)

Bertrand Blier (film director/writer)

Dave Bargeron (trombonist with Jaco Pastorius Big Band, Carla Bley, George Russell, Steely Dan etc.)

Jamie Muir (King Crimson percussionist)

Alf Clausen (‘Moonlighting’/’Fame’/’Ferris Bueller’/’Naked Gun’ soundtrack composer)

Michal Urbaniak (violinist with Miles Davis/Lenny White/Jaco Pastorius etc.)

Antony Price (designer for Bryan Ferry, Robert Palmer, David Bowie etc.)

Luis Jardim (Seal/Annie Lennox/FGTH/Grace Jones/George Michael percussionist and, according to Steve Lipson, he also played bass on ‘Slave To The Rhythm’…)

Hermeto Pascoal

Damien Thomas (‘Twins Of Evil’/’Tenko’/’Shogun’/’Pirates’ actor and movingtheriver’s uncle)

Jellybean Johnson (drummer and guitarist with The Time/The Family/Janet Jackson etc.)

Nicky Katt (‘Dazed And Confused’/’Insomnia’ actor)

Roy Ayers

Tony Roberts (‘Annie Hall’/’Play It Again Sam’/’Hannah And Her Sisters’/’Serpico’ actor)

Andy Bey

Tony Slattery

Rob Reiner

Richard Darbyshire (Living In A Box co-founder/vocalist/songwriter)

Clem Burke

Chris Rea

Diane Keaton

Martin Parr (photographer)

Patricia Routledge

Sheila Jordan

Peter Jason (‘They Live’/’Prince Of Darkness’/’In The Mouth Of Madness’ actor)

Brigitte Bardot

Dave Ball (Soft Cell keyboardist/co-founder)

James Prime (keyboardist with Deacon Blue/John Martyn)

Robin Smith (cricketer)

Joan Plowright

Lalo Schifrin

Sly Stone

Rick Buckler (Jam drummer)

David Thomas (Pere Ubu frontman)

Sam Moore (Sam & Dave)

Mike Ratledge (Soft Machine co-founder)

Diane Ladd

Pauline Collins

Eddie Palmieri

D’Angelo

Biddy Baxter (‘Blue Peter’ editor)

Chuck Mangione

Steve Cropper

George Wendt (Norm in ‘Cheers’)

David Lynch

Gene Hackman

Brian Wilson

Andy Peebles (radio presenter and writer, the last Brit to interview John Lennon)

Terence Stamp

Chris Jasper (Isley-Jasper-Isley keyboardist/songwriter and solo artist)

Phil Upchurch

Alex Wheatle (writer, activist and London legend)

Roberta Flack

Prunella Scales

Claudia Cardinale

Marilyn Mazur (percussionst/vocalist with Miles Davis/Jan Garbarek)

Flaco Jimenez (accordionist with Ry Cooder/Bob Dylan)

Drew Zingg (guitarist with Donald Fagen/Boz Scaggs/David Sanborn/Marcus Miller)

Barry McIlheney (Smash Hits/Q/Empire writer)

Simon House (Bowie/Thomas Dolby/Japan/Hawkwind violinist)

Rick Derringer

Dill Katz (bassist with Barbara Thompson’s Paraphernalia/District Six/Ian Carr’s Nucleus)

Henry Jaglom (film director)

John Robertson (footballer)

Ed Williams (‘Ted Olson’ in ‘Police Squad’ and the ‘Naked Gun’ movies)

Harold ‘Dickie’ Bird (cricket umpire)

Roy Estrada (Little Feat/Mothers Of Invention bassist)

Wishing all movingtheriver.com readers a happy and healthy 2026, with loads of cash.

The Worst Album Titles Of The 1980s

It was one of the many issues that probably had managers and marketing people tearing their hair out during the 1980s.

What to name your album? It might be a low-risk strategy to name it after the first single – even better if that song is a big hit – or, if you were feeling clever, after a ‘pivotal’ album track.

But oftentimes 1980s acts went out on a limb, looking for a ‘poetic’ title, something ‘novel’, something… You get the picture.

Here’s a selection (to be regularly updated) of 1980s album titles that went off-piste. Some are pretentious, some weird, some have needless word repetition (hello Sting), some fudge punctuation or foreign words in an infuriating way, some are rubbish puns, some are desperate to shock, some are way too high-falutin’, some throw concepts together in a seemingly random way. But the reaction to most is: eh?

Of course a bad title didn’t stop some of these being great albums, though, tellingly, very few were big hits…

Talking With The Taxman About Poetry (Billy Bragg)

Three Hearts In The Happy Ending Machine (Daryl Hall)

The Secret Value Of Daydreaming (Julian Lennon)

Steve McQueen (Prefab Sprout)

Shooting Rubberbands At The Stars (Edie Brickell & The New Bohemians)

The Uplift Mofo Party Plan (Red Hot Chili Peppers)

Mother’s Milk (Red Hot Chili Peppers)

As Falls Wichita, So Falls Wichita Falls (Pat Metheny/Lyle Mays)

Into The Dragon (Bomb The Bass)

Angst In My Pants (Sparks)

Tennis (Chris Rea)

Love Over Gold (Dire Straits)

North Of A Miracle (Nick Heyward)

Misplaced Childhood (Marillion)

Script For A Jester’s Tear (Marillion)

Boys & Girls (Bryan Ferry)

Journeys To Glory (Spandau Ballet)

Through The Barricades (Spandau Ballet)

Seven And The Ragged Tiger (Duran Duran)

Big Thing (Duran Duran)

Modern Romans (The Call)

The Secret Of Association (Paul Young)

Shabooh Shoobah (INXS)

Remain In Light (Talking Heads)

If This Bass Could Only Talk (Stanley Clarke)

Blood & Chocolate (Elvis Costello)

A Salt With A Deadly Pepa (Salt’n’Pepa)

Splendido Hotel (Al Di Meola)

Within The Realm Of A Dying Sun (Dead Can Dance)

The Moon Looked Down And Laughed (Virgin Prunes)

Architecture & Morality (OMD)

The Dream Of The Blue Turtles (Sting)

In-No-Sense? Nonsense! (Art Of Noise)

In Square Circle (Stevie Wonder)

Lawyers In Love (Jackson Browne)

The Story Of A Young Heart (A Flock Of Seagulls)

The One Giveth, The Count Taketh Away (Bootsy Collins)

You Shouldn’t-Nuf Bit Fish (George Clinton)

All The Best Cowboys Have Chinese Eyes (Pete Townshend)

Difficult Shapes And Passive Rhythms Some People Think It’s Fun To Entertain (China Crisis)

Working With Fire And Steel (China Crisis)

Franks Wild Years (Tom Waits)

So Red The Rose (Arcadia)

Café Bleu (The Style Council)

The F**king C*nts Treat Us Like Pricks (Flux Of Pink)

Chalk Mark In A Rainstorm (Joni Mitchell)

I, Assassin (Gary Numan)

Civilised Evil (Jean-Luc Ponty)

Introducing The Hardline According To Terence Trent D’Arby

Children (The Mission)

Casa Loco (Steve Khan)

The First Of A Million Kisses (Fairground Attraction)

Bebop Moptop (Danny Wilson)

 

More crap 1980s album titles? Of course. Let us know in the comments below (particularly looking for more in the metal, Goth and prog genres).

10 Classic 1980s Singles Featuring Brushes

Some brushes, yesterday

When you think of 1980s pop music, which drum sounds come to mind?

They’re probably pretty loud and the infamous gated snare possibly looms large: ‘Let’s Dance’, ‘In The Air Tonight’, ‘Hey Mickey’, ‘Uptown Girl’, ‘A Town Called Malice’, ‘Born In The USA’.

But there’s a whole alternative world of 1980s hits where the drummer played very quietly, with brushes rather than sticks. Stuff like Buddy Holly’s ‘Raining In My Heart’, The Beatles’ ‘When I’m 64’ and Lou Reed’s ‘Walk On The Wild Side’ probably laid down the gauntlet, but you can’t imagine any producers or focus groups demanding that the drummer play brushes to create a hit (and when was the last hit that featured brushes?).

Here are some classic 1980s singles that somehow got away with it (all chart placings from the UK).

10. Echo & the Bunnymen: ‘Killing Moon’
Powered by Pete de Freitas’s subtle and unexpected brushwork, the classic single got all the way to #9 in early 1984.

9. George Michael: ‘Kissing A Fool’
The seventh and final single from Faith, written back in 1984, reached the top 20 and was initially mooted to be the title track of that 1987 album. Session player Ian Thomas, soon to play with everyone from Robbie Williams to Scott Walker, overdubbed some brushes on the snare after first recording a pass with sticks.

8. The Cure: ‘The Lovecats’
This stand-alone single was also the band’s first top ten hit, peaking at #7 in October 1983. Drummer Andy Anderson began his career with Hawkwind’s Nik Turner and Steve Hillage, then ended up on Robert Smith and Steve Severin’s The Glove side project. He found himself recording this song in Paris then joined the band for a year, playing on 1984 album The Top and playing brushes on another B-side, ‘Speak My Language’. He then toured with Iggy Pop throughout 1987. Anderson died in 2019.

7. Alison Moyet: ‘That Ole Devil Called Love’
This stand-alone single reached a heady #2 during March 1985, produced by ’18 With A Bullet’ singer Pete Wingfield. But who’s the drummer? Answers on a postcard please.

6. Robert Wyatt: ‘Shipbuilding’
Not much is known about drummer Martin Hughes, but he did a nice job on this classic single which reached #35 in April 1983.

5. Chris Rea: ‘Driving Home For Christmas’
Written in 1978, it was originally intended for Van Morrison. Rea first recorded it as a B-side to the 1986 single ‘Hello Friend’, with drummer Dave Mattacks playing almost with a country feel. But the most famous version features on Rea’s 1988 New Light Through Old Windows compilation album with drums by Martin Ditcham, best known for his percussion work.

4. Chris Isaak: ‘Wicked Game’
Kenney Dale Johnson played some very subtle drums on this classic single released in July 1989, going on to become a huge sleeper hit in the US and UK.

3. Elton John: ‘Blue Eyes’
Recorded at AIR Studios in Montserrat, this touching ballad was the lead-off single from John’s Jump Up! album, reaching the top ten in 1982. The very slow 6/8 groove was beautifully marshalled by Jeff Porcaro. See also Toto’s ‘Don’t Stop Me Now’ and Ray Charles’ ‘Still Crazy After All These Years’ for some classic Porcaro brushwork.

2. Fairground Attraction: ‘Perfect’
It reached UK #1 in May 1988 – is it the only chart-topper to feature a drummer playing brushes? London jazzer Roy Dodds did the honours on this.

1. Rain Tree Crow: ‘Blackwater’
Cheating a bit here. It wasn’t released until 1991 but was recorded in December 1989 at Chateau Miraval in Southern France. It was the reformed Japan’s only single, reaching #62. In the band biography ‘Cries And Whispers’, drummer Steve Jansen makes the remarkable claim that his whole performance was pieced together using samples. Weird…

Any other 1980s hits that feature brushes? Drop us a line below.

1980s Albums That Always Appear In Charity/Secondhand Shops

So it’s official: old music is hugely outselling new music. And vinyl is the most popular physical format again.

Go into a record shop and likely you’ll be stunned at the price of secondhand vinyl, not to mention new catalogue LPs that can cost up to 25 quid for a posh reissue.

All of which might amuse/surprise music fans of my vintage who kept hold of their record players through the years and spent the noughties digging around the vinyl discount stores, often picking up ‘esteemed’ albums for anything between 10p and a quid (the price of a postage stamp, for readers outside the UK).

So what were those 1980s vinyls that were/are ALWAYS in secondhand shops and, by extension, still ever-present in charity shops? And why were they always there?

Most smack of the impulse buy by people who get one album a year, or the ‘difficult’ follow-ups to a smash. Some are tainted by an almost ineffable naffness. Most were deemed surplus on vinyl once CD became the format of choice, and most are weirdly genre-less.

Stacked high/sold cheap, you’d think they’d be reissue-proof, never to be seen again. But not so fast: ‘deluxe’ editions of these are probably on their way to a shop/streaming service near you, or have already arrived…

The Beautiful South: Welcome To The Beautiful South

U2: Rattle And Hum

Del Amitri: Waking Hours

Bros: Push

Hothouse Flowers: People

Michael McDonald: Sweet Freedom (The Best Of Michael McDonald)

T’Pau: Bridge Of Spies

Foreigner: Agent Provocateur

Michael Bolton: Soul Provider

Meat Loaf: Dead Ringer

John Cougar Mellencamp: The Lonesome Jubilee

Enya: Watermark

Five Star: Silk And Steel

Arcadia: So Red The Rose

Sade: Diamond Life

Chris Rea: The Road To Hell

Phil Collins: No Jacket Required

Bryan Ferry: Boys And Girls

Genesis: Invisible Touch

George Michael: Faith

Tracy Chapman: Tracy Chapman

Fleetwood Mac: Tango In The Night

Wet Wet Wet: Popped In, Souled Out

Fairground Attraction: The First Of A Million Kisses

Paul Young: No Parlez

Tom Petty: Full Moon Fever

Michael Jackson: Bad

Tina Turner: Private Dancer

Lionel Richie: Can’t Slow Down

Alison Moyet: Alf

Patti Labelle: Winner In You

Howard Jones: Human’s Lib

Simply Red: A New Flame

Whitney Houston: Whitney

Paula Abdul: Forever Your Girl

Bon Jovi: Slippery When Wet

Madonna: True Blue

Tears For Fears: Songs From The Big Chair

Six More 1980s Christmas Songs Not Just For Christmas

Here we go again, then. Ducking the bombardment of crappy Christmas musical missives, and two years on from the first collection, we present a few more festive tracks that – hopefully – don’t require the services of a sickbag.

A very Merry Christmas to all.

6. Paul McCartney: Pipes Of Peace (1983)
Paul’s Christmas 1983 chart-topper is, surprisingly, his only UK solo number one single (no doubt helped by the impressive video). The melody maestro puts together a hook-laden mini-symphony that Brian Wilson would surely be proud of. Producer George Martin even conjures a bit of Pepper-style surrealism for the intro.

5. Chris Rea: Joys Of Christmas (1987)
It can’t be easy writing a ‘downer’ Christmas song. ‘Joys Of Christmas’ was a single but wasn’t a hit, reaching just 67 in the UK, but it still sounds like a minor classic, lyrically a harrowing portrait of the North East underclass and musically a kind of ZZ Top/Robert Palmer hybrid (what’s with that weird ‘Addicted To Love’ accordion?) with some scorching Telecaster work. And his voice has never sounded better – he hits some amazing low notes in the verses.

4. Joan Jett: Little Drummer Boy (1981)
I first heard this on the soundtrack of the 1983 guilty-pleasure movie ‘Class’ and have had a soft spot for it ever since. It was never a single but appeared for a while on Jett’s breakthrough album I Love Rock’n’Roll until it was bumped off in favour of something less seasonal.

3. Wham!: Last Christmas (1984)
Recorded at London’s Advision studios in August 1984, George insisted on playing all instruments (including some very dodgy bass). But the bittersweet lyrics, twinkling synths, George’s gossamer vocals and the poignant memory of his death a year ago make it an indispensable seasonal hit. It was kept off the 1984 Christmas number one spot in the UK by Band Aid’s ‘Do They Know It’s Christmas’.

2. The Replacements: Beer For Breakfast (1983)
Is it a Christmas song? Dunno, but Paul Westerberg drawls ‘I’m dreaming of a white Christmas’ halfway through, and maybe it’s a portrait of his Christmas Day libations. Good effort (swearing alert).

1. Chris Rea: Driving Home For Christmas (1988)
Rea’s song was only a minor yuletide hit on its original UK release in 1988 (though written in 1984 and recorded in 1986) but it’s still played regularly and has made the top 100 every year it’s been re-released. Rea told Classic Rock magazine recently: ‘I do regret that I never got it to Van Morrison because that’s who I wrote it for. I thought he would have done a marvellous job. But I can’t knock it. I always think, if I don’t hear “Driving Home For Christmas”, it means I can no longer go on holiday…’

Chris Rea: On The Beach 30 Years Old Today

chris rea

Rea has – a little unfairly – never quite been able to escape a slightly dodgy image here in the UK, but, along with George Michael, he was probably the most popular male British singer/songwriter of the late ’80s and early ’90s.

The breakthrough/breakdown was his 1989 single/album ‘The Road To Hell’, so close to the Dire Straits sound as to be almost parody. I preferred the more laidback, distinctive Rea of the mid-’80s.

He started out pushing the glossy AOR and light, folky pop, enjoying a huge US hit with ‘Fool If You Think It’s Over’ in 1978 (later claiming that early producer Gus Dudgeon had blunted the ‘bluesier’ elements of his sound).

His career seemed to be hitting a cul-de-sac in the early ’80s, but On The Beach was one of the albums that turned things around, the beginning of his commercial era

It taps into the same kind of jazzy, introspective pop/soul sound that the likes of John Martyn, Joni Mitchell and Van Morrison were flirting with in the same period, helped by an excellent band including Fairport Convention/XTC drummer Dave Mattacks, Martin Ditcham on percussion and Max Middleton on keys. Rea also plays an impressive array of instruments himself, including fretless bass and synth.

Listening in one sitting to On The Beach again, the first thing that struck me is its almost relentlessly downbeat vibe. But the opening title track, with its lilting Latin-tinged groove and jazz chords, perfectly introduces the album’s themes of lost innocence and childhood reminiscences.

The moment when Mattacks lays into his fat snare drum for the first time is one of my favourite ’80s drumming moments.

‘Little Blonde Plaits’ is a vehicle for Middleton’s expressive Mini Moog, very redolent of his atmospheric playing on John Martyn’s Glorious Fool. There’s further ethereal jazziness on ‘Just Passing Through’, featuring a really lovely vocal performance and tasty solo guitar from Rea.

‘It’s All Gone’ ups the ante with some subtle Donald Fagen-style synths and excellent lyrics, and the groovy extended outro is close enough for jazz/funk with some empathetic Mattacks drums alongside Middleton’s fine Fender Rhodes solo.

On The Beach was a decent hit in the UK, reaching #11 in the album chart and selling over 300,000 copies. After this, Rea’s music became increasingly rootsy with elements of blues, country and rock’n’roll; he started channelling Dire Straits and ZZ Top rather than John Martyn and consequently enjoyed much more commercial success.

But On The Beach‘s four or five choice tracks are still my favourite Rea moments of the ’80s.