The Cult Movie Club: Oliver Reed vs. David Letterman (1987)

Actor Ollie Reed became a bit of a media ‘sensation’ during the 1980s and early ‘90s, wheeled out on various chat-shows and late-night discussion programmes looking a bit worse for wear and usually causing embarrassment on various levels.

Look up ‘toxic masculinity’ in the Brewer’s Dictionary and you might see a picture of Ollie. To some he is just poisonous. His brand of industrial hellraising was born in the 1960s but definitely belonged more to the 1970s.

He presents so many ‘red flags’ – in the irritating modern parlance – that it’s a wonder his TV appearances and media pronouncements haven’t been consigned to the dustbin forever.

Thanks goodness they haven’t, because they make events like his live TV meeting with David Letterman on 5 August 1987 particularly fascinating (coming hot on the heels of equally controversial appearances with Michael Aspel and Des O’Connor in the UK).

In interviews, Reed often revealed a ‘quiet’, sensitive side – he was an avid writer of poetry – and claimed he was just giving the public what they wanted. No one could accuse him of being thick though – he makes the current crop of media regulars seem particularly one-dimensional.

But during this appearance – around the time that he was good mates with Alex ‘Hurricane’ Higgins, who once awoke in the sitting room of Reed’s home after a spectacular bender to find the actor brandishing an axe – Reed just seems hellbent on irritating Letterman, and does a superb job. The ‘Little Englander’ in me quite likes the way he sticks it to Dave (Reed reportedly referred to himself as ‘Mr England’!).

Is he doing a take-off of Sly Stallone, or generally ridiculing the all-American 1980s ‘action hero’? Who knows. He was chatting with Dave ostensibly to promote his 1987 movie ‘Castaway’ – another one that might seem fairly ‘toxic’ these days. ‘Enjoy’…

Further reading: ‘Hellraisers’ by Robert Sellers

Nicolas Roeg (1928-2018)

London-born filmmaker Nicolas Roeg, who has died aged 90, will surely be remembered as one of the all-time greats.

He began his career as either lighting cameraman or director of photography on some key films of the 1960s: ‘The Caretaker’, ‘Doctor Zhivago’, ‘Lawrence Of Arabia’, ‘The Masque Of The Red Death’, ‘Far From The Madding Crowd’, ‘Fahrenheit 451’.

He then of course co-directed (alongside Donald Cammell) the astonishing Mick Jagger vehicle ‘Performance’.

Roeg went to to make some of the finest films of the 1970s – ‘Walkabout’, ‘Don’t Look Now’ and ‘The Man Who Fell To Earth’, and began the 1980s staking a claim to being England’s greatest living director.

And that was when his films really came alive for me. Many of the above were shown regularly on terrestrial TV during the decade. Then came a series of always-surprising new works, some of which also transferred quickly onto the small screen.

‘Bad Timing’ (1980) was a brutally candid portrayal of a love affair gone wrong, starring Art Gartfunkel and Theresa Russell in the first of her memorable lead roles for then-husband Roeg (a role that was apparently first intended for Sissy Spacek).

‘Eureka’ (1983) is little seen these days, and almost totally forgotten, but it’s unpredictable and brilliant. Gene Hackman heads up a superb cast including Mickey Rourke, Joe Pesci, Russell and Rutger Hauer.

‘Insignificance’ (1985) was a film to match the best of Roeg’s ’70s output, a what-if tale based on Terry Johnson’s play about a meeting between Marilyn Monroe, Joe DiMaggio, Joseph McCarthy and Albert Einstein.

‘Castaway’ (1986), a desert-island survival tale starring Oliver Reed and based on Lucy Irving’s bestselling book, was given a critical mauling but these days still looks like an incredibly vital film.

‘Track 29’ (1987) was, if anything, even stranger, a Dennis Potter-penned story about a demented manchild, with Gary Oldman and Russell the memorable leads.

And Roeg finished off the decade with a fine adaptation of Roald Dahl’s ‘The Witches’ (1990), well worth digging out for the kids this Christmas if you’re after some mildly-menacing, icky fun. Farewell to a bona fide Brit movie hero.

Nicolas Jack Roeg, 15th August 1928 – 23rd November 2018