New Decade, New Sound: Stanley Clarke’s Rocks, Pebbles and Sand

Stanley-Clarke-Rocks-Pebbles-And-543879Epic Records, released August 1980

Bought: Virgin Oxford Street 1988?

8/10

Stanley was and is one of my all-time musical heroes. As a teenager, I loved his fiery bass playing, dramatic compositions and dynamic hook-up with drummers. I first heard about him from my dad who bought his classic 1974 debut album on cassette in the mid-‘80s. As a burgeoning young drummer, I was immediately blown away by Tony Williams’ playing and also Stanley’s wide-reaching musical vision which took in funk, prog, post-Hendrix rock, flamenco, modal jazz and Third Stream.

stanley clarke

In 1979, Stanley recorded the sprawling, slightly directionless I Wanna Play For You double which veered uncomfortably towards disco on a few tracks. But it also featured some outrageous live recordings which suggested he was going in a more ‘rock’ direction, mainly thanks to the sonic possibilities opened up by putting his Piccolo bass (tuned a fifth higher than a standard bass, A to C rather than E to G) through various effects pedals.

But how would Stanley start off the ’80s?  on Rocks, Pebbles and Sand, he thankfully pushed the rock and prog-fusion rather than disco. It also really helps that it sounds very much like a ‘band’ project, apart from funk curio ‘We Supply’ which belongs on a different album altogether. And what a band it is – Simon Phillips on drums, Charles Icarus Johnson on guitars and Steve Bach on keys.

Phillips in particular is a perfect foil for Clarke with his meaty grooves and superchops. Though he was obviously coming from Billy Cobham with his prodigious double-bass playing, expansive tom fills and open-handed style (see below), his grooving on ‘Story of a Man and a Woman Part 2‘ is just perfect.

Rocks, Pebbles and Sand‘s opener ‘Danger Street’ sounds like Stanley has been listening to The Who and Van Halen with its big drums, raucous guitar and gargantuan riff. Subtle it ain’t (and one can take or leave Stanley’s vocals), but it really works, mainly due to the mastering and mix – Rocks is one of the best-sounding albums of the era alongside Steely’s Gaucho, Lee Ritenour’s Rit and Zappa’s Sheik Yerbouti.

Marcy Levy circa 1980

Marcy Levy circa 1980

The duet vocals on ‘Underestimation’, ‘You/Me Together’ and ‘A Story of a Man and a Woman’ might put some people off, but isn’t that female voice familiar? A glance at the liner notes reveals a credit for one ‘Marcy Levy’ on vocals. It turns out to be none other than Marcella Detroit of Shakespeare’s Sister fame, an LA session singer in another life who had recorded and toured extensively with Eric Clapton (co-writing ‘Lay Down Sally’) before working with Stanley.

The funk/disco track ‘We Supply‘ sticks out like a sore thumb but features a superb bassline from Louis Johnson and a hilarious spoken word intro from album engineer Dennis MacKay, proclaiming, ‘We supply all your funky needs!’ in the poshest voice you’ve ever heard. Git down and boogie with Dennis…

Stanley had a mixed ’80s to say the least, with a fair few misses but some big hits as well – watch this space for more of the latter.

 

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4 thoughts on “New Decade, New Sound: Stanley Clarke’s Rocks, Pebbles and Sand

  1. I missed this post first time around but I’m glad you pointed me here. I hadn’t played the album in years and, as I mentioned in our conversation at my blog, I don’t currently have access to my physical music collection, but thanks to Spotify I was able to play it yesterday. I can’t add anything to your appraisal, which is spot-on. Isn’t it amazing how much Simon Phillips can elevate the level of every musician he plays with?

    Liked by 1 person

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