Epic Records, released August 1980
Bought: Virgin Oxford Street 1988?
In 1979, Stanley recorded the sprawling double I Wanna Play For You which had some brilliant moments but veered uncomfortably towards disco on a few tracks.
It also featured some outrageous live recordings which suggested he was going in a more ‘rock’ direction, mainly thanks to the sonic possibilities opened up by putting his Piccolo bass (tuned a fifth higher than a standard bass, A to C rather than E to G) through various effects pedals.
But how would Stanley start off the ’80s? On Rocks, Pebbles and Sand, he thankfully pushed the rock and prog-fusion rather than disco. It also really helps that it sounds very much like a ‘band’ project, apart from funk curio ‘We Supply’ which belongs on a different album altogether.
And what a band it is – Simon Phillips on drums, Charles Icarus Johnson on guitars and Steve Bach on keys.
Phillips in particular is a perfect foil for Clarke with his meaty grooves and superchops. Though he was obviously coming from Billy Cobham with his prodigious double-bass playing, expansive tom fills and open-handed style (see below), his grooving on ‘Story of a Man and a Woman Part 2’ is just perfect.
Rocks, Pebbles and Sand‘s opener ‘Danger Street’ sounds like Stanley has been listening to The Who and Van Halen with its big drums, raucous guitar and gargantuan riff.
Subtle it ain’t (and one can take or leave Stanley’s vocals), but it really works, mainly due to the mastering and mix – Rocks is one of the best-sounding albums of the era alongside Steely’s Gaucho, Lee Ritenour’s Rit and Zappa’s Sheik Yerbouti.
The duet vocals on ‘Underestimation’, ‘You/Me Together’ and ‘A Story of a Man and a Woman’ might put some people off, but isn’t that female voice familiar? A glance at the liner notes reveals a credit for one ‘Marcy Levy’ on vocals.
It turns out to be none other than Marcella Detroit of Shakespeare’s Sister fame, an LA session singer in another life who had recorded and toured extensively with Eric Clapton (co-writing ‘Lay Down Sally’) before working with Stanley.
The funk/disco track ‘We Supply’ sticks out like a sore thumb but features a superb bassline from Louis Johnson and a hilarious spoken word intro from album engineer Dennis MacKay, proclaiming, ‘We supply all your funky needs!’ in the poshest voice you’ve ever heard. Git down and boogie with Dennis…
Stanley had a mixed ’80s to say the least, with a fair few misses but some big hits as well. Rocks is definitely one.
4 thoughts on “Stanley Clarke: Rocks, Pebbles And Sand”
I love the work that Stanley did with Stewart Copeland and Deborah Holland in Animal Logic.
Wow. Haven’t thought about that band for almost 30 years! I saw them live in London back in the day – brilliant playing but was not overly impressed with the material. Need to revisit it again though.
I missed this post first time around but I’m glad you pointed me here. I hadn’t played the album in years and, as I mentioned in our conversation at my blog, I don’t currently have access to my physical music collection, but thanks to Spotify I was able to play it yesterday. I can’t add anything to your appraisal, which is spot-on. Isn’t it amazing how much Simon Phillips can elevate the level of every musician he plays with?
LikeLiked by 1 person
Absolutely. He’s obviously a real ‘musician’, not just a technical master. Makes everyone in the band sound good.