Some might say that music and politics should never mix. But it’s less than two weeks to the General Election here in England. Looking at the music press or listening to music radio, you’d never know it.
Is politics just terminally uncool? Do today’s musicians not give a damn about who gets into power? It seems to be a mixture of both, though I was intrigued to see Paloma Faith hand-picking the writer Owen Jones to open some of her recent gigs.
The deafening silence (apart from a recent Jazz For Labour event at the Barbican) can’t help but beg comparison to the state of play 30 years ago when the movement known as Red Wedge got underway. Formed in 1985 initially as a Labour-supporting group to encourage young people to vote and get Margaret Thatcher out of office, it arguably politicised a second generation of music fans a decade after Rock Against Racism and punk. Though I was too young to fully understand Red Wedge’s aims (and too young to vote), I certainly took notice.
Red Wedge officially started on 21st November 1985 when Kirsty MacColl, Billy Bragg, Paul Weller and Strawberry Switchblade were invited to a reception at the Palace of Westminster by Labour MP Robin Cook. Major tours followed in the next few years leading up to the 1987 General Election featuring additional artists such as The Communards, The Style Council, Junior, Jerry Dammers, Madness, The The, Bananarama, Prefab Sprout, Elvis Costello, Sade, The Beat, Lloyd Cole and the Commotions and The Smiths. In short, this was no Mickey Mouse setup.
Unfortunately, their efforts amounted to diddly squat; the 1987 election resulted in a third consecutive Conservative victory. But at least they tried and their message didn’t fall on deaf ears. And where is the new batch of protest songs and protest singers? Unfortunately the current crop of musicians are just like most of the politicians: bland, middle-of-the-road, lacking in ideas and desperate not to offend.