It’s only natural that a young(ish) man’s fancy should turn to Skylarking at this time of year. And though I must have listened to it tens of times (and recently wrote a detailed piece about it here), Steven Wilson’s instrumental mix uncovers many of the album’s sonic secrets. You might even say that it’s like listening to a whole new thang.
Though lead songwriter/vocalist Andy Partridge had a somewhat ‘strained’ relationship with producer Todd Rundgren during the recording (in recent book ‘Complicated Game’ Partridge occasionally – tongue firmly in cheek, of course – refers to him as ‘Herr Rundgren’ and states that he would only allow one or two takes per overdub), this version demonstrates once and for all that Todd played a blinder on Skylarking, as arranger, sound designer, occasional keys player and backing vocalist. And the others (Dave Gregory, Colin Moulding, Prairie Prince, sundry guest players) weren’t too shabby either.
Things to listen out for: the charmingly ramshackle 12-string guitars and Mellotron underpinning ‘Summer’s Cauldron’, the dramatic cello gracenotes that punctuate ‘Grass’, Partridge’s Stax-flavoured guitar and Todd’s synths on ‘That’s Really Super Supergirl’, Gregory’s superb piano on ‘Ballet For A Rainy Day’ and ‘Season Cycle’ and intricate guitar on ‘Earn Enough For Us’, the mad mariachi trumpets that kick off ‘Big Day’, Prairie’s subtle drums on ‘Mermaid Smiled’, and…well, you get the idea.
It seems unlikely that this will appeal to any but the most hardcore XTC fans, but who knows? The top-notch songcraft and synaesthetic textures may even draw in some new punters.