26 Great One-Hit Wonders Of The 1980s

Nobody knows anything: that was the late screenwriter William Goldman’s famous maxim for determining the likely commercial viability of a movie.

But it could also apply to the pop landscape of the 1980s. While the essential ingredients for a chart smash – great melodies, interesting sounds, emotional material – were intact, there were also novelty hits by the dozen. Soap-opera actors, kids and comedians were all over the shop.

But then there were the really striking, original one-time deals. Indeed the question hanging over most of the following is: why only the one hit?

Yet maybe there is something singular about these songs. Even this writer, a big It Bites fan, can – almost grudgingly – hear only too well why ‘Calling All The Heroes’ was a hit when all of their other perfectly-worthy singles stalled just outside the top 40.

But if one hit single doesn’t make for a lasting career, with a bit of luck it can still be a cash cow. So here’s a trawl through some of the best one-hit wonders (all made the UK top 40) of the 1980s…

26. Anita Baker: ‘Sweet Love’ (1986)

25. Joan Jett & The Blackhearts: ‘I Love Rock And Roll’ (1982)

24. The Pinkees: ‘Danger Games’ (1982)

23. Robbie Robertson: ‘Somewhere Down The Crazy River’ (1987)

22. Ollie & Jerry: ‘Breakin’ (There’s No Stopping Us)’ (1984)

21. Champaign: ‘How ‘Bout Us’ (1981)

20. Orange Juice: ‘Rip It Up’ (1983)

It’s mystifying why Edwyn Collins and the gang only managed one hit, but they did. And what a beauty. Reached #8 in February 1983.

19. Joe Dolce Music Theatre: ‘Shaddap You Face’ (1981)

It’s just the audacity of it, I guess – an American/Australian comes over ‘ere and makes a random, totally un-PC, comedy record. Kept Ultravox’s ‘Vienna’ off #1 in February 1981.

18. The Passions: ‘I’m In Love With A German Film Star’ (1981)

Clive Temperley’s gorgeous Echoplex-laden guitar, a great blanked-out vocal from Barbara Gogan and the early-’80s penchant for all things European ushered this into the top 30.

17. Re-Flex: ‘The Politics Of Dancing’ (1984)

Included mainly for a great vocal by lead singer John Baxter.

16. Yarbrough & Peoples: ‘Don’t Stop The Music’ (1981)

15. Fern Kinney: ‘Together We Are Beautiful’ (1980)

14. Breathe: ‘Hands To Heaven’ (1988)

A love or hate song depending on your proclivity for soppy tearjerkers, but a pretty damn committed piece of work either way.

13. Fiction Factory: ‘(Feels Like) Heaven’ (1984)

Produced by Police-helmer Nigel Gray, this Perth (in Scotland) band produced a memorable piece of sophisti-pop with a great vocal by Kevin Patterson.

12. Ashford & Simpson: ‘Solid’ (1984)

They had of course written dozens of hits for others, and Valerie Simpson had sung back-up with everyone from Steely Dan to Quincy Jones, but this was the couple’s only UK hit.

11. Furniture: ‘Brilliant Mind’ (1986)

Fronted by future MOJO music writer Jim Irvin, this was a smart, intriguing single. Will also be familiar to fans of ‘Trigger Happy TV’. And Pulp may have checked it out too…

10. It Bites: ‘Calling All The Heroes’ (1986)

9. Kim Carnes: ‘Bette Davis Eyes’ (1981)

Apparently originally written as a loping country and western tune, it was given an icy synth-rock makeover and great John Bettis lyric, and eventually reached #10 (#1 in the USA) and earned Carnes a Grammy.

8. Martha And The Muffins: ‘Echo Beach’ (1980)

7. Rosie Vela: ‘Magic Smile’ (1986)

6. The Icicle Works: ‘Love Is A Wonderful Colour’ (1984)

How did this end up being the only top 40 hit for Ian McNabb’s talented Merseysiders? When the likes of contemporaries Pete Wylie and Pete Burns were raking in the hits?

5. Will Powers: ‘Kissing With Confidence’ (1983)

Co-written by Steve Winwood, Todd Rundgren, Nile Rodgers and Jacob Brackman and featuring an uncredited Carly Simon on vocals and some brilliant stacked backups by…who? Of course Will Powers was a pseudonym for star-snapper Lynn Goldsmith.

4. Hipsway: ‘The Honeythief’ (1986)

The Glaswegians’ funky pop gem showed the way forward for Curiosity and Love & Money, but sadly they failed to follow it up.

3. Nena: ’99 Red Balloons’ (1984)

A rather excellent lyric and musically rich #1 single. The closing 30 seconds can still send a shiver down the spine.

2. Boy Meets Girl: ‘Waiting For A Star To Fall’ (1989)

Yes yes yes, it’s shiny and toothless, but anyone who loves ’80s pop surely has to like this.

1. The Lotus Eaters: ‘The First Picture Of You’ (1983)

Another Merseyside pop gem, this slow-building classic can immediately send one into the reverie of a sun-kissed, first-love British summer.

Angela Bofill: Angel Of The ’80s

angelaThe strand of jazzy soul music developed by artists like Minnie Riperton, Phyllis Hyman, Chaka Khan, Jon Lucien, Al Jarreau, Randy Crawford and Carl Anderson probably reached its commercial apex with Anita Baker’s eight-million-selling 1986 album Rapture.

But perhaps the most underrated singer in that style was Angela Bofill, an ever-present on the US R’n’B charts between 1978 and 1984.

Best known for her sultry ballads and Latin-tinged mid-tempo jazz/soul tracks, I stumbled upon an Angie Best-Of sometime in the early ’90s and have been a fan ever since.

Her voice has a lovely, yearning quality, with power, range, great enunciation and a hint of Whitney Houston about it. But you’ll never hear Bofill’s music on the radio, at least here in the UK, and it’s a shame that she didn’t quite manage that breakthrough pop hit.

angie

Born in the Bronx to a Cuban father and Puerto Rican mother, Bofill studied classical singing at the Manhattan School of Music.

After a tip-off from Latin Jazz flautist Dave Valentin, she was initially mentored by producers Dave Grusin and Larry Rosen, recording her successful first two albums Angie and Angel Of The Night for the fledgling GRP label.

Moving to Arista Records under the supervision of legendary impresario Clive Davis, she worked with some big-name producers throughout the ’80s: George Duke, Narada Michael Walden, Norman Connors and The System (David Frank/Mic Murphy).

Narada particularly seemed a good fit for her, co-writing a few killers such as ‘Tropical Love’ and ‘Too Tough’ and teaming up with future ‘American Idol’ judge Randy Jackson on bass to make a phenomenal rhythm section.

Angela also made a wonderful guest appearance on ‘Where Do We Go’, the standout track from Stanley Clarke’s lacklustre Hideaway album of 1986, and there were also interesting duets with Boz Scaggs and Johnny Mathis around the same time.

But her most impressive material was self-penned. ‘You’re A Special Part Of Me’, ‘Gotta Make It Up To You’, ‘Song For A Rainy Day’ (which she also produced), ‘I Try’ (memorably covered by Will Downing in the early ’90s), ‘Accept Me’, ‘Rainbow Inside My Heart’ and ‘Time To Say Goodbye’ are all stand-outs which demonstrate her fine musicianship as well as vocal skills.

It’s a shame her composing, producing and arranging talents were never properly utilised, though she left us with a few classics nevertheless.

Angela made a comeback in the mid-’90s with Love In Slow Motion, a nice album featuring three superb tunes – ‘All She Wants Is Love’, ‘Soul Of Mine‘ and the very Janet Jackson/Jam & Lewis-esque ‘Love Changes‘ – which matched anything from her ’80s peak.

She also made a notable appearance at the 1998 Montreux Jazz Festival with Billy Cobham and George Duke.

Unfortunately serious illness befell Angela in 2006. Two strokes have limited her recording and live appearances, but she did make a brief return to the stage in 2012: ‘The Angela Bofill Experience’ featured stories from her life and career, with artists such as Maysa Leak, Phil Perry and Melba Moore performing signature songs.

Since then, things have been quiet, but we send good vibes from London. Angie’s certainly not forgotten in these parts.