David Bowie Impersonates Marc Bolan: 18th August 1985

1985 was a mixed year for DB.

Tragically, his half-brother Terry Burns took his own life in January, but then the summer was a very ‘up’ period – he was a wholehearted contributor to Live Aid, promoting the event widely and enjoying the company of his contemporaries and assorted young bucks alike.

He was also relishing getting out of his comfort zone courtesy of key roles in Jim Henson’s ‘Labyrinth’ and Julien Temple’s ‘Absolute Beginners’.

Then summer 1985 spawned one of his greatest singles, the theme song for the latter movie. Like ‘Dancing In The Street’, ‘Absolute Beginners’ was produced by David alongside Madness/Dexys/Costello collaborators Alan Winstanley and Clive Langer.

The backing tracks had been laid down at Abbey Road but the final vocal session took place at London’s West Side Studios (owned by Langer and Winstanley), Olaf Street, near Latimer Road tube station (and very close to Grenfell Tower), on 18th August 1985.

After nailing the song in just a few passes – as was his wont – Bowie found himself in the studio with a bit of time on his hands. Instead of making an early exit, he quickly wrote some rather overwrought lyrics vaguely in the style of Bruce Springsteen and then entertained Langer and Winstanley with a succession of vocal impersonations.

Engineer Mark Saunders thankfully captured these precious moments (in David Buckley’s essential book ‘Strange Fascination’, Winstanley mentions that he considered the tape lost) and has very kindly put them on YouTube for our delectation.

So enjoy Bowie’s irresistible takes on Springsteen, Marc Bolan, Tom Waits, Lou Reed, Anthony Newley, Iggy Pop and Neil Young, complete with charming asides (‘That’s it – night-night!’). It’s a doorway to happier times. DB: miss him, miss him, miss him.

Madness: Five Reasons To Be Cheerful

madnessThese days, brands (and possibly bands) spend thousands – if not millions – of pounds on copywriters who half-inch bargain-basement slogans from popular psychology and self-help books.

You know the kind of thing: ‘Find Your Happy’, ‘Believe In Better’ and all that other absolute twaddle. Anyway, I know a much better way to ‘find my happy’: watching a few Madness videos.

It’s easy to forget how great a lot of their stuff is if you’re an English pop fan. They’re so much part of the furniture. According to the stats, no other band spent more time on the UK singles chart during the 1980s.

One of the keys to their longevity seems to be that they are essentially a songwriters’ collective; at one point or another, all the members have had a hand in penning a hit (they famously shared the publishing royalties seven ways – 50% for the writer/writers, and the remainder divided up equally among everyone else).

There’s definitely method in their madness: intelligent, often socially-conscious lyrics that are actually about something, subtly-effective major/minor chord changes, hooks galore, spooky textures, a superb rhythm section and the ever-reliable Clive Langer/Alan Winstanley producing/engineering team (the former apparently had lots of good songwriting and arranging input too).

And in terms of music videos, surely their body of work is the most consistent of the decade, alongside Talking Heads and maybe a few others. So here, in chronological order, are my favourite Madness vids – and some pretty damn good songs to boot.

5. Baggy Trousers (1980)

The Ian Dury-influenced classic, written by singer Suggs and guitarist Chris Foreman. I can remember first seeing this video on ‘Top Of The Pops’ like it was yesterday.

4. Shut Up (1981)

Written by Suggs and Chris Foreman from the point of view of a very deluded house burglar, this is a worthy entry into that select group of hits whose titles don’t feature in the lyrics. Blur were definitely listening – compare it with their ‘Sunday Sunday’.

3. Driving In My Car (1982)

Written by pianist Mike Barson, the video features the lads driving down Goldhawk Road, Shepherd’s Bush, and there’s even a brief cameo from Fun Boy Three.

2. Our House (1982)

Written by Chris Foreman and saxophonist Cathal Smyth AKA Chas Smash, apparently the one-line chorus was added at the last minute at producer Clive Langer’s insistence.

1. House Of Fun (1982)

Written by Lee Thompson and Mike Barson, this time the chorus was apparently demanded by Stiff Records boss Dave Robinson.