Neal Schon & Jan Hammer: Untold Passion/Here To Stay

The great jazz/rock pioneers of the early 1970s generally had a very mixed 1980s. But when keyboard genius Jan Hammer left the Mahavishnu Orchestra in 1973, no-one could have predicted that he’d become a bona fide pop star just over ten years later.

Two fascinating albums – originally on CBS, now re-released as a two-fer by BGO – trace Hammer’s early-1980s journey to ‘Miami Vice’, via a collaboration with Journey/Santana guitarist Neal Schon.

Of course Hammer had spent a few years in the late ’70s touring big venues with Jeff Beck and making ever-rockier solo albums. But Schon was probably a more successful musician than Hammer in 1981, if a more anonymous one – his playing has a lot of chops but isn’t particularly distinctive.

The first Schon/Hammer album, 1981’s Untold Passion, has a pleasingly dry, lo-fi quality, recorded solely at Hammer’s home studio in upstate New York, with the Czech genius also playing some great drums and engineering. The musicianship is exemplary and the sound has a real consistency. Unfortunately the same can’t always be said of the material.

Schon’s Phil Lynott-like vocals have some charm, particularly on the excellent ‘Hooked On Love’ and ‘I’m Talking To You’, but predictably it’s the three instrumentals that really do the business. ‘The Ride’ is a super-catchy Schon composition, while Hammer’s ‘On The Beach’ and the title track look forward to ‘Miami Vice’, the latter with a distinct Giorgio Moroder flavour and some kick-ass solos.

The second album, 1982’s Here To Stay, is less successful, adding a cameo from the other members of Journey and lots of stereotypical 1980s production values, and the duo are obviously making a far more concerted effort to get onto MTV. They made it with the crunching ‘No More Lies’, and almost grabbed a minor hit too. The hilariously ill-judged video is well worth a look:

Neither Untold Passion nor Here To Stay were big hits – the former stalled at #117 in the US album charts, the latter sunk without trace, but these are really interesting projects for Hammer fans. When they work, they really work, and there are some great instrumental duels between the two virtuosos.

And you can definitely hear Tubbs’ Cadillac revving up…

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28 Great Drum Grooves Of The 1980s

Steve Jordan
Photo by Deborah Feingold

Could it be that the ’80s spawned more ‘drum-based’ songs than any other music decade?

New recording technology meant that the drums had never been louder and prouder in the mix. Stylistically, influences from ’70s fusion and classic soul/R’n’B were still fresh and relevant. Hip-hop and go-go brought a funky swing. Metal and punk added a unashamedly aggressive dimension. And let’s not underestimate The Collins Effect: Phil brought a whole lot of attention to the drums.

Here are 26 notable grooves from the decade. My definition: pieces of music where the drum parts are intrinsic to the architecture of the piece. Eagle-eyed readers will spot lots of shuffles here – fast ones, slow ones, medium ones, half-timers. Bernard Purdie and John Bonham’s influences apparently loomed large. Play ’em loud…

28. Joan Armatrading: ‘The Key’ (1983)
Drummer: JERRY MAROTTA

27. Cameo: ‘She’s Strange’ (1984)
Drummer: LARRY BLACKMON

26. Japan: ‘Still Life In Mobile Homes’ (1981)
Drummer: STEVE JANSEN

25. Lee Ritenour: ‘Road Runner’ (1982)
Drummer: HARVEY MASON

How does he find time to fill out the groove with all those 32nd notes on the hi-hats? With such solidity? Only the master knows.

24. Steve Khan: ‘Uncle Roy’ (1983)
Drummer: STEVE JORDAN

Apparently Khan’s instruction to Jordan was to play an ‘Elvin Jones type of thing’ on this half-time shuffle. He completely ignored the guitarist and came up with an outrageous groove , turning the snare off, smacking the crash/ride cymbal as if his life depended on it and adding some tasty footwork for good measure.

23. U2: ‘Sunday Bloody Sunday’ (1983)
Drummer: LARRY MULLEN JR.

Love or hate the track, it was the beat of choice for air-drumming schoolkids across the land (at least it was at my school). You can even hum it.

22. TONY WILLIAMS: ‘Sister Cheryl’ (1985)

In essence, Tony ‘straightens’ out the jazz swing ride cymbal/hi-hat pattern, adds some snare backbeats and then dials in almost a Latin feel. It’s a revolutionary beat on an album full of them (Foreign Intrigue).

21. Weather Report: ‘Volcano For Hire’ (1982)
Drummer: PETER ERSKINE

Maybe Joe Zawinul came up with this pattern, but it’s superbly played and certainly one of the most striking and powerful in WR’s illustrious drumming legacy.

20. INXS: ‘What You Need’
Drummer: JON FARRISS

Nimble-of-foot dancefloor funk/rock smasher from one of the best groove drummers of the ’80s.

19. China Crisis: ‘In Northern Skies’ (1989)
Drummer: KEVIN WILKINSON

A different kind of half-time shuffle, with crossed hands, neat ghost notes and a nice tom-tom emphasis on the ‘3’.

18. Prince: ‘Dance On’ (1988)
Drummer: SHEILA E

Sheila unleashes her ’70s fusion chops on this curio from Lovesexy. Quite unlike anything else in her or the Purple One’s discography.

17. Joni Mitchell: ‘Be Cool’ (1982)
Drummer: JOHN GUERIN

LA session legend Guerin ended his 10-year sideman gig with Joni playing this inspired take on a medium jazz swing. Holding two brushes, one marks out time with triplets and other ‘brushes’ in quintessential jazz style.

16. Level 42: ‘It’s Over’ (1987)
Drummer: PHIL GOULD

One of many crafty, original ’80s grooves from the Isle Of Wight sticksman, this one was achieved by playing 16th notes on the hi-hat with both the foot and the hands. On a good system you can really hear the subtleties.

15. Jeff Beck: ‘Space Boogie’ (1980)
Drummer: SIMON PHILLIPS

Of course it takes its cue from Billy Cobham’s famous ‘Quadrant 4’ double-bass-plus-ghost-notes shuffle, but Phillips’s beat is in 7/4 and bloody hard to pull off. He maintains the intensity remarkably well and throws in some killer fills.

14. Jeff Beck: ‘Star Cycle’ (1980)
Drummer: JAN HAMMER

Another classic from Jeff’s There And Back album, the composer/keyboard player takes the sticks himself for a classic, still-funky, displaced-snare groove. Hammer has always been a superb drummer – check out his First Seven Days album for more evidence.

13. Weather Report: ‘Molasses Run’ (1983)
Drummer: OMAR HAKIM

Lots to choose from in Omar’s prestigious ’80s discography but this one sticks out. His beats have a sense of structure befitting a natural songwriter/arranger (which, of course, he is too).

12. Joni Mitchell: ‘My Secret Place’ (1988)
Drummer: MANU KATCHE

Kind of a variation on number 8, this cyclical groove almost IS the song.

11. Bennie Wallace: ‘All Night Dance’ (1985)
Drummer: BERNARD PURDIE

Another classic from the shuffle master on this track from the saxophonist’s hard-to-find Blue Note album Twilight Time, this managed to incorporate both of Purdie’s trademarks: ghost notes and hi-hat barks.

10. Adam & The Ants: ‘Ant Rap’ (1981)
Drummers: CHRIS HUGHES, TERRY LEE MIALL

There are two or three grooves on this and they’re all corkers. The song led to an outbreak of desktop hand-drumming by schoolkids in the early ’80s, driving teachers to distraction.

9. Grace Jones: ‘Warm Leatherette’ (1980)
Drummer: SLY DUNBAR

Trust Sly to come up with two such original takes on the shuffle.

8. Paul Simon: ’50 Ways To Leave Your Lover’ (1982)
Drummer: STEVE GADD

What a treat to hear and see this classic live version from Central Park, possibly with some tiny deviations from the recorded take. Much imitated, never surpassed. And check out Gadd’s superb extended coda.

7. John Scofield: ‘Blue Matter’ (1986)
Drummer: DENNIS CHAMBERS

One of the great beatmakers of the ’80s or any other decade, the Baltimore master busted loose with two classic go-go grooves for the price of one.

6. Van Halen: ‘Hot For Teacher’ (1984)
Drummer: ALEX VAN HALEN

Modern Drummer magazine said it best: ‘The song begins with Alex pounding out a fairly complex floor-tom pattern featuring the ever-popular hairta rudiment, played over shuffling double bass drums. Add some tom hits and then a driving ride cymbal, and you’ve got one of the most classic drum tracks of the ’80s—or any decade.’

5. The Police: ‘Murder By Numbers’ (1983)
Drummer: STEWART COPELAND

Yet another ingenious variation on the medium jazz swing, Copeland turns 4/4 into 6/8, adds some weird emphases and catches the ear every time.

4. King Crimson: ‘Frame By Frame’ (1981)
Drummer: BILL BRUFORD

At Robert Fripp’s prompting, Bruford plays the lion’s share of the beat on one of his Octobans, not the hi-hat. From the classic album Discipline.

3. Chuck Brown & The Soul Searchers: ‘We Need Some Money’ (1985)
Drummer: RICKY WELLMAN

The right foot that floored the drumming world.

2. Toto: ‘Rosanna’ (1982)
Drummer: JEFF PORCARO

Impossible to leave out this half-time classic. Porcaro fused The Purdie Shuffle with a Bo Diddley beat to create a monster.

1. John Martyn: ‘Pascanel (Get Back Home)’ (1981)
Drummer: PHIL COLLINS

Phil came up with numerous cool variations on Harvey Mason’s ‘Chameleon’ beat in the ’80s, but this is my favourite. It’s basically ‘Chameleon’ but with a very groovy triplet figure inserted between the hi-hats and snare. From the classic Glorious Fool album.

Any more classic ’80s drum grooves?