TACK>>HEAD: Friendly As A Hand Grenade 30 Years On

Tackhead have always been ahead of their time, but no one could have predicted quite how prescient their 1989 album Friendly As A Hand Grenade would prove.

When Trump became president in 2016, Gee Vaucher’s brilliant cover artwork went viral, though one wonders how many people knew the image’s origins.

In a way that’s a good metaphor for the band’s career. A supergroup of session players, and arguably the ultimate post-punk band in their effortless fusion of hip-hop, P-funk, agit-prop, dub, house, gospel, blues and industrial, Tackhead have never quite hit the mainstream, even while their respective careers flourished with other artists.

And that’s probably exactly how they like it. Tackhead has always been a kind of musical petri dish for each member’s explorations, kind of a funk version of 1980s King Crimson.

Bassist Doug Wimbish, drummer Keith LeBlanc and guitarist Skip McDonald had of course hooked up during their legendary sessions for Sugarhill Records, and vocalist Bernard Fowler was one of the great singers on the ’80s New York scene. Add London-based mixologist/dub innovator Adrian Sherwood and it was a whole new thang, mixing the latest sampling technology with classic funk-rhythm-section smarts.

And if their second album Friendly, released 30 years ago this weekend, hasn’t dated as well as hoped, that’s more down to its mastering limitations (not enough bottom end) and occasional dearth of quality original material. But when it works it really works, a thrilling mix of heavy guitar, funk basslines, tasty grooves, soulful vocals and scary samples, usually with a political element.

‘Mind And Movement’ steals a march on Heaven 17’s ‘We Don’t Need This Fascist Groove Thang’, a funky missive against Margaret Thatcher’s late-’80s policing policies. ‘Stealing’ is a grinding, gospel-tinged rail against TV evangelists. The two ska cameos are pure filler, but side two is much better, kicking off with the classic Tackhead theme tune ‘Airborne Ranger’, and gradually adding in elements of old-school hip-hop and early house.

Friendly was a hit, reaching #3 on the UK Indie album chart and reportedly selling over 100,000 worldwide. The majors smelt a hit; EMI subsidiary SBK came calling with a big advance and huge recording budget (LeBlanc puts it at around £250,000), resulting in the 1990 major-label debut Strange Things, which had some brilliant moments but has been been described by a few band members since as ‘crap’. Arguably the better follow-up to Friendly was the 1994 Strange Parcels album Disconnection, credited as a ‘A Tackhead Re-Duction’.

Elsewhere, Wimbish went on to great things with Living Colour, McDonald formed the potent Little Axe and Fowler became a key member of the Rolling Stones touring entourage. And they all continued to work with fascinating On-U Sound outliers Mark Stewart and Gary Clail.

But the ‘real’ Tackhead sound has probably never adequately been captured on record  – the gigs were (and are) where it’s at (and highly recommended is their live anthology Power Inc. Volume Three).

There was a memorable March 1989 show at London’s Town & Country Club, and I went to many great gigs in the capital during the early 1990s and beyond. The band’s fans were (and are) an incredibly disparate bunch, from Whirl-Y-Gig crusties to B-boys and musos.

And they’re still with us. Don’t miss them if they come to your town – they’re still doing some of the best stuff out there.