Bought: Mr CD, Soho, 1992?
This is an intriguing, very promising, almost completely forgotten debut album by a young singer and songwriter who very sadly died only three years after its release.
I came across Tony LeMans completely by chance at the Mr CD shop on Berwick Street, Soho. It had piles and piles of albums at five quid a pop, quite a steal by ’90s standards. You just never knew what you would find, in the days when you would take a chance on an album just on the strength of the label, cover, musicians and/or producer.
Me, I saw the words ‘Sylvester Stewart’, ‘David Gamson’ and ‘Paisley Park’ on the back and had to have it.
Gamson plays keyboards and produces beautifully, fresh from Scritti Politti’s Provision. Tony LeMans was released on Prince’s Paisley Park Records – rumours were abound of the Purple One’s involvement, but he doesn’t appear.
But other ’80s funk masters do: Bernard Wright supplies some cracking wah-wah clavinet to a few tunes, though bassist Marcus Miller and guitarist Paul Jackson Jr. are fairly nondescript.
Prince cohort Boni Boyer adds occasional back-up vocals alongside Michael Jackson collaborator Siedah Garrett (phenomenal on the opening ‘Higher Than High’).
The sonic clarity and mastering of Tony LeMans are outstanding; it would make a brilliant CD for auditioning a hi-fi. It’s also a real relief from the over-loud, over-compressed music of today. Musically and lyrically, it initially comes on like a ‘standard’ late-’80s pop/soul/funk album, but closer inspection reveals a strong psychedelic flavour.
Mainly though, due to Gamson’s total involvement, the album sounds like Provision-era Scritti fronted by Sly Stone.
The opener ‘Highest High’ fuses the synth hook from Prince’s ‘Lovesexy’ with Sly’s ‘The Same Thing’ (though neither get a songwriting credit) to great effect.
‘Forever More’ is a luxuriant ballad with a fine falsetto vocal from LeMans and some classic Gamson chord changes, while ‘Good For You’ is an infectious, catchy slice of doo-wop-influenced pop.
There’s a bit too much filler on side two, but the closing ‘Different Kind Of Thing’ is possibly the stand-out and the nearest thing to a Prince song (very much influenced by ‘Erotic City’), though it was only an extra track on the original CD release.
LeMans toured the album in the States, sometimes supporting MC Hammer (!), and was recording his second Paisley Park album at the time of his death. It was due to feature a Prince composition called ‘Fuschia Light’. Sadly, we’ll probably never hear what it sounds like.