The Curse Of 1986?

The critical consensus: 1986 was the worst music year of the decade, perhaps of any decade. But is that true?

There was certainly a vacuum between the end of New Pop/New Romanticism and the Rock Revival of ’87, exploited by one-hit-wonder merchants, TV soap actors, Europop poseurs, musical-theatre prima donnas, jazz puritans and Stock Aitken & Waterman puppets.

Also most pop records just didn’t sound good. The drums were too loud, the synths were garish, ‘slickness’ was the order of the day. Perhaps nothing emphasised these factors as much as The Police’s disastrous comeback version of ‘Don’t Stand So Close To Me’.

But listen a little harder and 1986 seems like a watershed year for soul, house, go-go, art-metal, John Peel-endorsed indie and hip-hop. Synth-pop duos were back on the map, the NME C86 compilation was a lo-fi classic and there were a handful of groundbreaking jazz/rock albums too. So here’s a case for the opposition: a selection of classic singles and albums from 1986. Not a bad old year after all.

Stump: Quirk Out

David Bowie: ‘Absolute Beginners’

Mantronix: Music Madness

PiL: Album

Rosie Vela: ‘Magic Smile’

George Michael: ‘A Different Corner’

Eurythmics: ‘Thorn In My Side’

Al Jarreau: L Is For Lover

XTC: Skylarking

Duran Duran: ‘Skin Trade’

George Benson: ‘Shiver’

Erasure: ‘Sometimes’

Cameo: ‘Candy’

Chris Rea: On The Beach

Europe: ‘The Final Countdown’

David Sylvian: Gone To Earth

OMD: ‘Forever Live And Die’

The Real Roxanne: ‘Bang Zoom’

The The: Infected

Half Man Half Biscuit: ‘Dickie Davies Eyes’

Anita Baker: Rapture

Michael McDonald: ‘Sweet Freedom’

Prince: Parade

Talk Talk: The Colour Of Spring

Luther Vandross: Give Me The Reason

Pet Shop Boys: ‘Suburbia’

Chaka Khan: ‘Love Of A Lifetime’

Gabriel Yared: Betty Blue Original Soundtrack

The Pretenders: ‘Don’t Get Me Wrong’

Janet Jackson: Control

Run DMC: Raising Hell

Beastie Boys: Licensed To Ill

Miles Davis: Tutu

Iggy Pop: Blah Blah Blah

Courtney Pine: Journey To The Urge Within

ZZ Top: ‘Sleeping Bag’

George Clinton: ‘Do Fries Go With That Shake’

Talking Heads: ‘Wild Wild Life’

Kurtis Blow/Trouble Funk: ‘I’m Chillin”

The Source ft. Candi Staton: ‘You Got The Love’

James Brown: ‘Living In America’

Gwen Guthrie: ‘Ain’t Nothing Going On But The Rent’

The Housemartins: ‘Happy Hour’

Peter Gabriel: So

Mike Stern: Upside Downside

Steps Ahead: Magnetic

It Bites: The Big Lad In The Windmill

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Rod Temperton (1949-2016)

When MJ and Quincy are requesting your songs, you know you’ve made it. Rod Temperton’s compositions are timeless, uplifting, full of detail and subtleties, with lots of vamp-busting major-7th/9th chords and joyful melody lines. It’s also important to note that he arranged all his own tunes for Jackson and Quincy too, outlining the rhythm, vocal and keyboard parts.

Like many kids of my age, I was kind of obsessed with Rod’s ‘Thriller’ during the mid-’80s. It was a perfect musical storm. Jackson’s red-hot vocal performance, the killer groove, brilliant horn arrangements, silly but spooky horror-movie lyrics, intriguing sound effects and Vincent Price’s rap/monologue all left an indelible mark.

But there was much more to Rod Temperton’s career than that obvious highlight. He was born in Cleethorpes, Lincolnshire, beginning his public life playing keyboards and writing songs for Heatwave, writing every song on their 1977 debut album Too Hot To Handle including ‘Boogie Nights’ and classic ballads ‘All You Do Is Dial‘ and ‘Always & Forever’. This led to his work on Michael Jackson’s Off The Wall album for which he wrote the title track, ‘Rock With You’ and ‘Burn This Disco Out’.

Temperton started the 1980s contributing to George Benson’s Quincy-produced Give Me The Night, composing the title track, ‘Love X Love’, killer disco/jazz instrumental ‘Off Broadway‘ and the extraordinary ‘Star Of The Story’:

There were other classic Rod compositions and arrangements around this time for Patti Austin, The Brothers Johnson, Rufus, Herbie Hancock, Karen Carpenter and Bob James, as well as this classic Donna Summer floorfiller:

He contributed to Quincy’s fine 1981 solo album The Dude, supplying the title track, ‘Somethin’ Special’, ‘Turn On The Action’ and of course the stunning ‘Razzamatazz’:

Then came the epochal Thriller. Temperton was all over the record, composing and arranging ‘Baby Be Mine’, soul standard ‘The Lady In My Life’ and of course the title track. He famously wrote most of Vincent Price’s rap/monologue in a car whilst being rushed over to Ocean Way Studios to join Price’s vocal session. In fact, he was so prolific that he found time to write a third verse for the monologue, edited from the album version but available in outtake form here:

In the mid-’80s, Rod supplied three more classic compositions: Michael McDonald’s ‘Sweet Freedom’, McDonald’s duet with James Ingram ‘Yah Mo B There’ (co-composed by Ingram, McDonald and Quincy) and also the underrated ‘Spice Of Life’ by Manhattan Transfer featuring Stevie Wonder on harmonica:

Rod enjoyed somewhat of a songwriting/arranging/producing renaissance in the early ’90s, including some great work for Mica Paris’s Whisper A Prayer album and also Q’s Jook Joint. His contributions to music won’t be forgotten, and he was by all accounts a lovely fellow too.

Rodney Lynn Temperton, 9th October 1949 – October 2016