The Most Bafflingly Popular Live Acts Who Came Of Age During The 1980s

We’ve all done it – surveyed an ad for an upcoming gig and said of a band: ‘Whoa – they’re playing not one but THREE nights at Wembley/wherever?!’ (but not PSB, apparently…).

Some acts who thrived in the 1980s have effortlessly sidestepped the nostalgia package tours to maintain a huge live following, able to tour under their own steam every four or five years and sell out arena gigs. They might lose a founder member here or gain a strange recruit (Reeves Gabrels in The Cure?!) there but basically seem to go from strength to strength.

How do they do it? Who exactly are their fans? After 40-plus years of service, who forks out 70 quid every three or four years to see their favourite band at the nearest enormo-dome?

Here, in no particular order, we round up the usual suspects. We’re obviously not talking about those plucky little cult acts of the 1980s. There’s a crucial missing bit in the musical brain of yours truly which would help me understand the enduring popularity of these headliners.

Variously, we will find acts who once upon a time were self-confessed haters of live performance; those who are like the Rolling Stones of 1980s pop, pedalling their tried-and-tested formula despite not writing anything decent for 30 years; those who have lost a vital frontperson, but carried on anyway. And the acts who – inexplicably – are massive in the USA despite doing middling business in the place of their birth.

Who’s who? You decide… Other suggestions are very welcome.

16. Pet Shop Boys

15. Genesis/Mike & The Mechanics

14. ELO

13. Tears For Fears

12. Depeche Mode

11. Simply Red

10. The Cure

9. Metallica

8. Iron Maiden

7. Def Leppard

6. Bon Jovi

5. Motley Crue

4. Duran Duran

3. U2

2. Queen

1. New Order

Classic Rock’s 100 Greatest Albums Of The ’80s: First Impressions

_57I’m a sucker for a ‘best albums of the 1980s’ list. Classic Rock magazine have just published their ‘real’ top 100, focusing on under-the-radar records by both well-established and cult artists.

The countdown features a fair few critics’ favourites – Peter Gabriel 3, Lou Reed’s New York, David Bowie’s Scary Monsters (And Super Creeps), Talking Heads’ Remain In Light, The Police’s Synchronicity, Roxy Music’s Avalon. No major surprises there.

Then there are the slightly left-field choices that would possibly scrape into my top 100 too (Living Colour’s Vivid, PiL’s Album, Brian Wilson’s self-titled debut, Billy Idol’s Rebel Yell, Genesis’s Duke, Neil Young’s Freedom, Robbie Robertson’s self-titled debut, David Lee Roth’s Skyscraper).

There are the slightly puzzling choices from established artists – Tom Waits’ Frank’s Wild Years, Yes’s Drama, Red Hot Chili Peppers’ Uplift Mofo Party Plan, Rolling Stones’ Tattoo You, Van Halen’s Women And Children First, Faith No More’s Introduce Yourself and Aerosmith’s Done With Mirrors.

And then there’s a whole raft of albums by artists I’ve long meant to check out. So I gave them a spin. I didn’t make much headway with Dead Kennedys, Billy Squier, Zodiac Mindwarp, John Mellencamp, Gun, Sea Hags, Green On Red, Queensryche, Georgia Satellites, Enuff Z’Nuff and King’s X, but here’s some stuff that did make an impression – very surprisingly, in most cases:

#86: Steve Perry’s Street Talk (1985)

I’ve always respected the Journey man’s voice but was unaware of his solo career until I heard this super-catchy single (whose video even throws in a bit of ‘Spinal Tap’ self-parody).

#84: Michael Bolton’s Everybody’s Crazy (1985)

The sound of Michael McDonald fronting ZZ Top.

#55: Gary Moore’s Corridors Of Power (1984)

Included for the extraordinary first two minutes: scary chops from a guitar great.

#38: Pink Floyd’s The Final Cut (1983)

You’d be hard pressed to call it a great voice but Waters emotes very effectively on this beautifully-produced, evocative album opener.

#24: Iron Maiden’s Piece Of Mind (1984)

A slinky harmonized riff and absolutely killer guitar solo.

#3: Def Leppard’s High ‘N’ Dry (1981)

One for audiophiles everywhere: producer ‘Mutt’ Lange works his magic again.

I won’t give away the number one…but you can check out the full top 100 albums here.

Bigmouth Strikes Twice: More Great 1980s Music Quotes

Art_Blakey_1973

Art Blakey

Here’s another selection of choice quotes taken from various 1980s magazines, TV shows, biographies and anthologies that have drifted through my transom in the last few months.

Check out the first instalment here if you missed it.

‘Morrissey’s a precious, miserable bastard. He sings the same song every time he opens his mouth. At least I’ve got two songs: Love Cats and Faith.’

Robert Smith of The Cure, 1989

 

‘It’s a better product than some others I could mention.’

David Bowie defends the Glass Spider Tour, 1987

 

‘Back then I thought I’d lost it and I did a bunch of things I was really unhappy with – all in public and on record. But it turned out not to be true. My ability hadn’t deserted me. And it won’t go away. Ever.’

Lou Reed, 1988

 

‘The gig I have as the drummer in King Crimson is one of the few gigs in rock’n’roll where it’s even remotely possible to play anything in 17/16 and stay in a decent hotel.’

Bill Bruford, 1983

 

‘When I toured with The Rolling Stones, the audience would come up to me after the show and say, “Man, you’re really good, you ought to record.” How do you think that makes me feel after 25 years in the business?’

Bobby Womack, 1984

 

‘I find politics ruins everything. Music, films, it gets into everything and f*cks it all up. People need more sense of humour. If I ran for President, I’d give everybody Ecstasy.’

Grace Jones, 1985

 

‘I’m not the most gifted person in the world. When God handed out throats, I got locked out of the room.’

Joe Elliott of Def Leppard, 1988

 

‘I’m lazy and I don’t practice guitar and piano because I’ve gotten involved with so many other things in my life and I just had to make a sacrifice. Stephen Sondheim encourages me to start playing the piano again. Maybe I will.’

Madonna, 1989

 

‘Nile (Rodgers) couldn’t afford to spend much time with me. I was slotted in between two Madonna singles! She kept coming in, saying “How’s it going with Nile? When’s he gonna be free?” I said, “He ain’t gonna be free until I’m finished! Piss off!”’

Jeff Beck, 1989

 

‘I’ve never really understood Madonna’s popularity. But I’ve talked to my brothers and they all want to sleep with her, so she must have something.’

Nick Kamen, 1987

 

‘They ask you about being a Woman In Rock. The more you think about, the more you have to prove that you’re a Woman In Rock. But if you’re honest, it doesn’t matter whether you’re male or female. That’s the way we work.’

Wendy Melvoin, 1989

 

‘In Japan, someone told me I was playing punk saxophone. I said, “Call me what you want, just pay me”.’

George Adams, 1985

 

‘In the past, we’d bump into other musicians and it would be, “Oh, yes, haven’t I heard of you lot? Aren’t you the bass player that does that stuff with your thumb?” But once you’ve knocked them off the number 1 spot in Germany, they’re ringing you up in your hotel and saying, “Hey, howyadoin’? We must get together…”‘

Mark King of Level 42, 1987

 

‘We played London, we played Ronnie Scott’s, and I noticed that there were a lot punk-rock kids in the audience. After we finished playing, we had to go to the disco and sign autographs, because “Ping Pong”, the thing we made about 30 years ago, is a big hit over there.’

Art Blakey, 1985

 

‘I believe music – just about everything – sounds better these days. Even a car crash sounds better!’

Miles Davis, 1986

 

‘It’s a dangerous time for songwriters in that a monkey can make a thing sound good now.’

Randy Newman, 1988

Yoko+Ono+Season+Of+Glass+522787

 

‘To have those glasses on the cover was important because it was a statement and you have to understand that it was like John wanted you guys to see those glasses.’

Yoko Ono, 1989

 

‘I’ll f*cking… I’ll go and take on anyone, any white singer who wants to give me a go.’

Matt Goss of Bros, 1989

 

‘I’ve never said this before but my drums is so professional, man, know what I mean?’

Luke Goss of Bros, 1989

 

‘I hate parts of my own albums because I know I’m hearing something that doesn’t translate to piano. In fact, I’m being dishonest by playing piano at all.’

Keith Jarrett, 1987

 

‘When I began to see how Elvis lived, I got such a strong take off of it. It was all so revolting!’

Albert Goldman, 1989

 

‘The best way to make great art is to have it trivialised by other people as much as possible. That way, you fight and fight and fight.’

Julian Cope, 1989

 

‘Whatever you’re tops in, people is trying to bring you down, and that’s my philosophy.’

Samantha Fox, 1987

 

‘Call me fat and I’ll rip your spine out.’

Ian Gillan, 1983

 

‘Sure I care about my fans. Because fans is money, hahaha. Muh-neee! And who does not care about money? Me, I like muh-neee, haha.’

Chuck Berry, 1988

 

‘I have this long chain with a ball of middle-classness at the end of it which keeps holding me back and that I keep sort of trying to fight through. I keep trying to find the Duchamp in me.’

David Bowie, 1980

 

‘People who say, Oh, I don’t know anything about music – they’re the people who really do know about music because it’s only really what it does to you.’

Steve Winwood, 1988

 

‘I notice that critics and others don’t credit black people with the ability to write ingenious, creative lyrics.’

Nile Rodgers, 1981

 

‘I’m below the poverty line – I’m on £16 a week. We needed some clothes and our manager said, “I don’t know what you do with your money. I mean, 16 quid!”’

Gary Daly of China Crisis, 1984

 

‘You take four or five of those rattlesnakes, dry ’em out and put them inside your hollow-box guitar. Lightnin’ Hopkins taught me that trick.’

Albert Collins on his guitar tone, 1988

 

‘People are bored with Lionel Richie going “I love everybody, peace on earth, we are the world…” F*ck that! People love bastards.’

Terence Trent D’Arby, 1987

 

‘Epstein dressed The Beatles up as much as he could but you couldn’t take away the fact that they were working-class guys. And they were smart-arses. You took one look at Lennon and you knew he thought the whole thing was a joke.’

Billy Joel, 1987

 

‘I remember when the guy from Echo & The Bunnymen said I should be given National Service. F*** him...’

Boy George, 1987

 

‘The industry is just rife with with jealousy and hatred. Everybody in it is a failed bassist.’

Morrissey, 1985

 

‘I couldn’t stand it – all that exploitation and posturing, the gasping at the mention of your name, the pursuit by photographers and phenomenon-seekers. You get that shot of adrenalin and it’s fight or flight. I chose flight many a time.’

Joni Mitchell, 1988

 

‘I’m strongly anti-war but defence of hearth and home? Sure, I’ll stick up for that… I’m not a total pacifist, you know? I’ve shot at people. I missed, but I shot at them. I’m sort of glad I missed…’

David Crosby, 1989